The Daytime Emmys: Happy At Last

newFor another view of the Daytime Emmys, read the post following this one by Marlena’s longtime friend and colleague Ed Martin.  A veteran TV industry journalist and analyst, Ed is a columnist for JackMyers.com.

By Marlena De Lacroix

From out of a dying soap industry, from out of a cable network I never watch, last night arrived the most unexpected shock of my decades-long soap watching/journalism life: a Daytime Emmys that was pretty good.  Who know that after most of us gave up the fight and moved on to other lives that daytime would finally get what we (the actors, the press, and hopefully the fans) had fought for forever: a Daytime Emmys that wasn’t condescending to daytime soaps!

Hooray!  No soaps-are-stupid jokes!  It’s taken the always awkward Daytime Emmys since 1974 — the year they were first broadcast by themselves – not to make fun of what they’re celebrating.  Even though this year’s ceremony was on 

Best of all, without the traditional sneering and disrespect for soaps, many moments of actual warmth emerged.  It’s called professional showmanship with heart, and the producers of the Emmys this year have it! Yes, yes — emotion — that’s what daytime soaps are all about.  And used to be about. 

such a small scale, it grew large because it finally treated soaps with dignity. They are not, as most people in the world think, and we soap fans know in our hearts – a punch line!

Unlike in past years, the host wasn’t sleazy or smarmy (like Bob Barker) or totally miscast (as Eric Braeden and Melody Thomas Scott unintentionally were [Read more...]

Daytime Emmys 2009: The Beginning of the End?

By Ed Martin 

Watching the 36th annual Daytime Emmy Awards on The CW during the dog days of August confirmed what I already knew: These are dark days indeed for the daypart overall and for soap operas in particular.

It’s not that the telecast was all bad: I actually prefer smaller venues for the Daytime Emmy celebration (the Orpheum Theater in Los Angeles for last night’s show, ballrooms at the Marriott Marquis in Manhattan during the ceremony’s glory years) and I always enjoy an entertaining opening number at any awards event. (Vanessa Williams‘ reworked-for-daytime rendition of Can’t Take My Eyes Off of You was almost as much fun as Neil Patrick Harris‘ surprise closing song at this year’s Tony Awards.) Best of all, in the soap categories the awards were spread over a number of different shows. Only As the World Turns went totally unrewarded during the telecast. (On Saturday it picked up a couple of Creative Arts Emmys, so no soap went home empty handed.)

In fact, I was pleased with most of the winners in the daytime drama categories, from the tie for Outstanding Supporting Actor between the long overdue Vincent Irizarry of All My Children and the very deserving Jeff Branson of Guiding Light to

The biggest disgrace was the rushed tribute to the soon-to-be-terminated Guiding Light, which has already completed production and will have its last telecast in two weeks … The other big bad of the night was the brush-off to The Bold and the Beautiful at night’s end.

the surprise Outstanding Lead Actress win for Susan Haskell of One Life to Live. (Her portrayal of repeat rape victim Marty Saybrooke in the year’s most controversial soap story was consistently riveting.) Even though it would have been [Read more...]