B&B: Brooke is Now Suddenly on the Outside

By Marlena De Lacroix a.k.a. Connie Passalacqua Hayman

Katherine Kelly Lang: Love is her Brooke’s “fate”

For more than 25  years, the main story of The Bold and the Beautiful has been the story of the love life of Brooke Logan Forrester (fascinatingly played by Katherine Kelly Lang) .  She’s been married to all the Forresters — Eric, Thorne and Ridge –and is the mother of five children.  When it came time to die from cancer, Stephanie Forrester chose Brooke’s arms to die in.

Brooke has been such a good soap heroine because her life is centered on what soaps are all about:  love.  To Brooke, love is all.  Whoever she has sex with she must be in love with. And because she believes love is her fate, she believes any of her actions toward that end are justified.

Armed with the nobility of that motivation, Brooke has gained much in life.  She became a top scientist and later designer at Forrester Creations, inventor of the Belief fabric formula and lead designer of Brooke’s Bedroom, a line of luxe lingerie.  When she became Mrs. Eric Forrester, she became rich and famous at a very young age.

But it’s her continuous love affair with Ridge Forrester that has dominated her life.   A young girl when she met him, she set her sights on him immediately even though he was involved with and later married Caroline Spencer Forrester. Though men came and went in her life, it was always the love of Ridge she sought — and won and lost many times.  The two have been married three times.

Because Brooke believes nothing she does is wrong, she has trespassed often on the lives of many around her.  She fell in love with her daughter Bridget’s husband Nick Marone.  She fell in love with her sister’s Katie’s husband Bill Spencer and had a torrid affair with him.

But right now everything that Brooke has stood for and believed is coming apart.  She was set to remarry Ridge when her maid of honor Katie fainted in the middle of the ceremony.  It turns out that Katie, who had been so harmed by Brooke when Brooke fell in love with her husband Bill, is now in love with Ridge. And Ridge is in love with Katie.

Now that Brooke is finally faced with what she can’t have – namely Ridge, the once inevitable “fate” of her love — it may be time for her to take a good look at herself.   What is it about her that she has been able to steal so many other women’s men?   How will she survive now that Katie has stolen her man.  Will Broke ever change and see the errors of her ways ?  Will she once again wrest  Ridge from another women’s once arms?

The Bold and the Beautiful’s Most Excellent Recast

By Marlena De Lacroix a.k.a. Connie Passalacqua Hayman 

Cheers to The Bold and the Beautiful for the most exciting soap recast of this or any other year: Soap superstar Thorsten Kaye has been signed to played Ridge Forrester, the show’s lead character, who was played from the show’s 1987 debut until last year by Ronn Moss.  Kaye, of course, played Patrick Thornhart on One Life to Live and Zack Slater on All My Children, and was last seen in primetime as Anjelica Huston’s shady but adorable boyfriend Nick on Smash

Thorsten Kaye: How will he change Ridge?

This bold recasting coup is so fascinating because Kaye and Moss are so different as actors. Both have the leading man’s requisite virility and good looks. But whereas Moss, with his legendary chiseled cheekbones, could have stepped off the cover of a romance novel, Kaye’s unshaven ruggedness is less generically handsome but much more down to earth.

Moss played Ridge, son of the Forrester dynasty of clothing designers, as a spoiled, mildly pompous rich kid.  He was always under the thumb of his domineering mother Stephanie, played by Susan Flannery, who has retired from the show.

Kaye, a classically trained theater actor, has a lot more range than the somewhat flat Moss. Kaye can play romantic, he can play tender, he can play tough and he has fabulous diction (as demonstrated by his Patrick’s many renditions of the poem “Brown Penny” on OLTL.)   He really is the quintessential soap leading man.

How will Kaye change Ridge? We hope the character will become more assertive, more nuanced and as a result more interesting.  The Ridge who has been residing in Paris for the last year will come back to find a changed scene in his hometown of Los Angeles. Ridge’s ex-wife Brooke (Katherine Kelly Lang) has become secretly engaged to Bill Spencer (Don Diamont), a married man and a significant force in his own right. We can hardly witness the inevitable clash between macho Diamont, all bedecked in his trademark bling, and the fiery Kaye.

Speaking of male roles on B&B

I have reached my limit and am fed up with that ultimate wuss Liam Spencer, as played by Scott Clifton.   Although he spends his life huffing and puffing and sanctimoniously trying to hang on to his now ex-fiancée Hope Logan (Kim Matula), at heart he really can’t commit to her.  Why else would he send a love montage email to his ex-wife Steffy?   He’s already left Hope at the altar and has kept her hanging on for years.  Now, Liam’s half-brother Wyatt (Darin Brooks) has fallen in love with Hope and has done everything to sweep her off her feet.  We can’t help rooting for Wyatt as Liam has become unbearable.  Wyatt at least has a clear allegiance to Hope, the only woman in his life.  No matter how much the now unattractive Liam  whines and carries on, he has no natural right to Hope’s love and affection

The Bold and the Beautiful Reaches a Pinnacle of Soapy Goodness!

By Marlene De Lacroix a.k.a. Connie Passalacqua Hayman

Every soap generation has its touchstone moment. It usually happens when a plot turn is so soapy good it earns your allegiance to its characters for decades.  Mine occurred on Another World in the 70s when Alice (Jacqueline Courtney), engaged to Steve (George Reinholt), found out her sister-in-law Rachel (Robin Strasser) was pregnant with Steve’s baby.  Oh, the magnificent melodramatic pain and heartbreak of it all!

Hasty horndogs Brooke and Bill

For younger soap viewers, such a touchstone moment may have occurred this week on The Bold and the Beautiful.  At Brooke’s birthday party, Taylor interrupted all the testimonials to Brooke’s virtue by blurting out the truth — that Brooke had slept with her brother-in-law Bill, getting pregnant.  At the time, wife Katie had taken off her wedding ring and lay unconscious in the hospital. Did horndogs Brooke and Bill have to hop into bed so fast? Quelle horreur!

These revelation scenes were so fantastic because they were almost a year in coming, and the actors really milked the episodes of emotions for all they were worth.  Exhibiting the talent and passion that brought Heather Tom three Best Actress Emmys, Katie wept piteously and became entirely bitter.  The excellent Katharine Kelly Lang as the cringewowrthy Brooke also cried, overwhelmed by the shame the character had truly earned. Most interestingly, Don Diamont as the ever arrogant Bill went on the defensive, saying Katie had driven him to sleep wIth Brooke by constantly throwing them together.  How could Katie – or any other woman — care for this incredible nasty bastard ever again? Playing the villainy it for all it was worth, Diamont was the perfect slime.  

Such great soap moments can only come together though the seamless work of cast, writers, producers and crew. The headwriter here was Bradley Bell, and Bell is also the show’s executive producer.   Individual episodes during the week were written by Adam Dusevoir and the great Patrick Mulcahey, an Emmy-winning veteran of Santa Barbara and General Hospital.

It was just another great week of well-acted, nicely written and hard-hitting drama on B&B — not to be forgotten, perhaps, by a new generation of viewers. And it’s not even sweeps month!

A Negative Vote on This Year’s Daytime Emmys

By Marlena De Lacroix a.k.a. Connie Passalacqua Hayman 

Last year I praised HLN’s first production of the Daytime Emmys because it was straightforward and lean.  This year’s show was exactly the opposite — overlong (almost three hours) and full of things that just shouldn’t have been included.  Boring!

Doug Davidson and his well-deserved and long overdue Best Actor award (Photo by Richard ShotwellInvision/AP)

How about that couch?  I’m talking about the one on which winners were interviewed by such “journalists” as Giada Di Laurantiis and Sheryl Underwood.  At least some of the winners — Best Actor Doug Davidson and Best Supporting Actress Julie Marie Berman, for instance — handled themselves well and with grace in the awkward situation.  There was just too much stuff stuffed into the show — like two Lifetime Achievement awards (Monty Hall and Bob Stewart) and presentation of three generic Best Song performances by co-host Robin Meade (who is at least a pretty woman with a nice voice).  Nancy Lee Grahn’s brief comedy bits filmed outdoors were not very good..

The whole problem with the show is that in content it aimed to be a major network presentation, but missed because of poor and cheap production.  It makes us remember and appreciate what a good job Dick Clark Productions did with the show over the years.  The hosts — Sam Champion, A.J. Hammer and Meade — were just meh, and scattershot appearances by them did nothing to keep the whole production feeling cohesive.  All in all, the 40th annual Daytime Emmys was a production not befitting of its own lofty aims or of the hard work done on daytime television by so many creative people over the year.

The winners in most of the acting categories, on the other hand, were well chosen.  Finally, Davidson deservedly won his Best Actor statuette after 35 years in the show in a very emotional storyline on The Young and the Restless (Paul shot his would-be murderer son Ricky.)   The Bold and the Beautiful’s Heather Tom always excels, particularly in her storyline in which Katie suffered a near-psychotic breakdown after the birth of her son.  And General Hospital’s Julie Marie Berman’s win as Best Supporting Actress was a good parting gift from the show.

Speaking of GH, wasn’t the show shortchanged in a year when the big awards (Best Show, Best Writing, Best Direction) went to B&B. Not that B&B had a bad year (it was very good, especially with the scenes leading up to Stephanie’s death), but GH literally had its finest years in decades, an everyday must-see show which corrected the mistakes made by the horribly crime-centric longtime headwriter Bob Guza.  Except for an underserved award for Best Young Actress to Kristen Alderson (while she was still playing Starr Manning), GH deserved many more awards and  rewards this year.

On Days of Our Lives, Chandler Massey was rewarded for a very nice job with Best Younger Actor. Then the show went on to score the evening’s the real upset – Days won as Best Soap.  As bitterly noted by executive producer Ken Corday in his acceptance speech, this was the first time in 38 years the show had won the ultimate award.

So, Thinking Fans, did Days deserve it?