The Young and the Restless: Marlena says, “You, Sir, Are No Irwin Allen!”

Jess Walton’s Jill has survived the Y&R plane crash

By Marlena De Lccroix a.k.a. Connie Passalacqua Hayman

It’s way too early to judge the work of The Young and the Restless’ new executive producer Charles Pratt Jr. We’re familiar with his resume (head writer/executive/producer of All My Children, General Hospital, Santa Barbara and Sunset Beach, primetime producer of Melrose Place et al.) But he’s only been on the Y&R  job seven weeks. Even so, there are some early hints: This past week, the controversial Pratt launched four sweeps month stunt plots simultaneously in a snow storm!  Before we discuss them, however, let’s review Y&R’s week-old disaster plot action:

Plane Crash:  A plane flies to Chicago with a secretly blind Neil, his wife Hilary, his son Devon, Jill, Colin, Cane and Lily on board.  Neil announces to all that he is  not blind anymore and he knows Hilary and Devon are in love and having an affair because he secretly witnessed them sleeping together while they  thought Neil was blind. Neil has something undisclosed in his briefcase. Suddenly, the plane crashes and all survive on the ground unharmed except for Hilary, who is severely injured and comatose.  She periodically wakes up.  Devon goes off to find help.  Neal vanishes.

Building Collapse:  At the Undergound, Victor finds out Nikki is drinking again and confronts her.  The building the Underground is in collapses with Victor, Jack, Nikki, Phyllis, Avery, Joe, Nick and Sage trapped inside. In the rubble, all are unharmed except Jack who is severely injured and comatose but who periodically wakes up.  Victor rescues Jack with CPR. Nikki, Phyllis and Avery escape while help arrives.   Victor and Jack are trapped in the basement. A semi-comatose Jack, who has secretly known Victor’s dead son Adam is alive, utters the word “Adam” and Victor knows something crucial is up.

I Know What You Did Last Summer: On Valentine’s Day Abby inexplicably invites Kevin, the young marrieds Summer and Austin along with Mariah, Courtney, Noah and Fen to a cabin in the woods.  Fen secretly spikes the punch. Everyone collapses and then wakes up.  Austin falls out of the armoire, presumably dead.  All are accused, but especially Summer. Abby is suddenly disclosed kissing Austin the night before while Mariah confronts her. Outside, Austin’s body vanishes. The youths convene to discuss what to tell the police. Will they get their story straight? Did Austin fake his own death? Ho hum!

The Towering Inferno:  A fire suddenly breaks out at Lakeview Towers in lovers Chelsea and Billy’s apartment. Chelsea and all believe Chelsea’s late husband  Adam is dead, but the audience knows Adam is alive and secretly masquerading as Gabe. Sage and Adam/Gabe live next store to Billy and Chelsea  but  are absent when the fire starts.   Chelsea escapes with Katie and Johnny. Billy remains in the burning apartment with Connor. Billy is periodically comatose but wakes up.  Adam/Gabe arrives and rescues Connor  but leaves his enemy Billy in the smoke.  Later he returns and rescues Billy.  When last seen, Adam and Billy are escaping the burning building.

Oy vey!  Can you say overkill? The four disaster plots are achingly piled on.  Every daytime soap headwriter interweaves character storylines and hypes them in some shocking manner for sweeps month, but this is way too much of a fun thing.  A great role model for Pratt would be the late, great headwriter Jim Reilly (Days of Our Lives), a master creative genius at stunts, who was always original and never dreamed of doing his vastly entertaining and oft- hilarious sweeps stunt plots more than  one at a time.

Worse I’m incredibly annoyed that Pratt is copying his 2008-9 All My Children debut.  On that show, after his debut under the umbrella of a stunt tornado story, Pratt set the world’s soap stunt record with six, count’em six, starring such characters as Kendall, Bianca and Zach. Pratt’s entire AMC stint was much despised. .

Clearly Pratt’s muse for all of this is the late Irwin Allen, creator such 1970s classics as The Poseidon Adventure and The Towering Inferno, all of them unabashedly cheesy, over-the-top movie fun. His name identifies the disaster movie genre embraced by so many imitators then and since. But even Allen, who pioneered the burning set and the rock and roll camera to simulate thunderous explosions and building collapse, confined his story-telling to one disaster at a time. His formula called for intersecting human dramas of marriages saved and parents and children reconciled played out against the disaster du jour, in a world saved ultimately by heroic first responders and the selfless sacrifice of military personnel who die trying to save people.

Sentimental, exciting, romantic, heart-warming and even a bit tear-jerky. Pratt provides dollops of all these elements, and evidently the stew is tasty to some viewers – he did well in the coveted 18-34 ratings category two weeks ago.

But for moi, a soap must have some grounding in real life to be believable, and these unoriginal plots don’t make it. Pratt throws in everything including the kitchen sink, much of it disconnected and out of the blue. For example, this week, apropos of nothing, Police assistant Kevin in the cabin plot revealed he is also a short story writer who has written a story with a murder scenario that is similar to Austin’s death.   What?

Even worse is the fact that these multiple disaster plots are being produced by Jill Farren Phelps, who has done swell sweeps plots on six soaps. (Santa Barbara, Guiding Light, Another World, One Life to Live, General Hospital and Y&R ).  Her 35 year soap career is a soap phenomenon!   While some dislike her, I’ve always admired Phelps, if not all her plots. It is she who hired Pratt for Y&R after working with him on GH.  Phelps often has exquisite taste in her hires. Time will tell if this is one of those times.

Beside Phelps, what also redeems poorly written plots like these is the high quality of the actors and the production crew. Y&R has always had some of the best!   The sets, particularly the plane crash and building collapse, are wonderfully Irwin Allen-esque.  But the disaster plots are not at all organic to past or present Y&R, as created and headwritten by the late Bill Bell, who would NEVER do stunt plots, though some have been tried since he stepped down from the show in 1998.

Overall plot-saving kudos have to go to the actors, most of whom are longtime Y&R veterans and soap superstars like Peter Bergman, Eric Braeden and Melody Thomas Scott who play Jack, Victor and Nikki in the building collapse plot.  I’d also like to single out Kristoff St. John who is always great as Neil, but has been dynamite here and in his entire blind, wife Hilary unfaithful to Neil with his son Devon, plot.  The work of longtime vets like these and Tristan Rogers (Colin) and Jill (Jess Walton) in the plane crash plot, or Joshua  Morrow (Nick) and Gina Tognoni (Phyllis) also in the building collapse plot, or Melissa Claire Egan (Chelsea) in the Towering Inferno plot, make Pratt’s stale disaster stunt plots more  palatable.

And so this week the building collapse and plane crash aftermath go on.  Will I be watching?  Yes, I can’t take my eyes off Pratt’s own four-ring circus of disaster stunt plots. They are that bad,  By the end of his entire Y&R stint, will I have to ask if has there ever been a daytime headwriter who is as creatively impoverished as Pratt?   Hope not for all our sakes!

Many Questions As a New Headwriter Comes to The Young and the Restless

By Marlena De Lacroix a.k.a. Connie Passalacqua Hayman

Christian LeBlanc, too good to waste

The Young and the Restless is getting a new headwriter. He is veteran Chuck Pratt, who wrote for Santa Barbara, General Hospital, and All My Children, amassing an uneven record with enough successes to give Y&R fans hope for improvement of their show. Anything is likely to be better than what has been happening on Y&R.  To put it mildly, the show hasn’t been very entertaining lately because so many storylines have left viewers scratching their heads. I count four ill-conceived tangles in the plot department that desperately need to be fixed.

Whose idea was it to stage a gigantic weeks-long catfight between Phyllis (Gina Tognoni) and Kelly (Cady McClain) over Jack (Peter Bergman)?   As you know, Kelly was living with Jack when Phyllis came out of her year-long hospital stay in a coma in France, came back to Genoa City and  promptly reclaimed her man.  Since then Phyllis has done all sorts of crazy things to torture and trick Kelly, including slapping her and luring her into a hotel room ambush while Jack, that wimp, stood passively by. It’s just a garden variety clichéd exercise in two women clawing at each other over a man – a storyline is so sexist it’s offensive to any thinking woman.

Then there’s the yucky storyline in which Devon (Bryton James) is romancing his blind father Neil’s wife Hilary (Mishael Morgan), and has had sex more than once with her. All the while, Devon is  telling his father stories of a made-up girlfriend.  Neil (Kristoff St. John) was blinded by electrocution while renovating the house he bought to surprise Hilary. But Devon and Hilary’s deception may be undone: lately, Neal is seeing beams of light and is beginning to doubt his son’s accounts of the pretend squeeze. Whose twisted idea was this, anyway? This storyline can only end badly, perhaps in tragedy.

Then there’s Michael, who got a diagnosis of prostate cancer and withheld the knowledge of it for weeks from his wife Lauren, confiding only in his brother Kevin.  What kind of man does this?  Christian LeBlanc plays this sensitive soul masterfully and is wasted on this kind of folly. Michael is very much in love with and close to Lauren (Tracy Bregman). But having him keep this secret from her is jarringly out of character.   I guess you have to give Y&R points for doing a prostate cancer storyline (which I can’t recall ever being done on daytime before).  But how will this storyline end?  Will Michael die because the cancer has spread because of his failure to take action?  Yikes!  Many times Emmy nominated Leblanc is too valuable to Y&R to lose him.

Then there’s perennially alcoholic Nikki (Melody Thomas Scott) who is proud of the fact that she hasn’t had a drink since Thanksgiving.  So, why, why, why does she keep a bottle of liquor and a glass permanently on display in the Newman living room?  All she does is endlessly stare at it. No real recovering alcoholic would do this. Of course, husband Victor (Eric Braeden) is obnoxious enough to drive any woman to drink, but Nikki has put up with him through all these years and through many marriages. Just for the heck of it,  (“It’s business’) Victor has seized control of the district which houses Nikki’s son Dylan’s (Steve Burton) coffee house Crimson Lights and wants to tear it down.   Nikki is furious at him. But will she leave Victor once again? Will she again succumb to the bottle’s lure? What do you think?

We’re rooting for you, Chuck. Get this once reliable vehicle out of the mud and on the road again. 

 

Heavenly November Sweeps Performances on The Young and the Restless, The Bold and the Beautiful and General Hospital

By Marlena De Lacroix a.k.a. Connie Passalacqua Hayman

It’s been quite an eventful November sweeps so far.  Stories built over the course of a year or more usually reach their apexes if not their conclusions  over sweeps months (February, May, November) and writers plot their most dramatic action to stretch over these months.   This November’s star plots on The Young and the Restless, The Bold and the Beautiful and General Hospital varied in quality but mostly  offered actors who pulled out all the stops and gave their best, sometimes Emmy-worthy performances during the month. Let’s partake of the feast:

The Young and the Restless — This was finally the month that Sharon’s long held secret – that she had switched the DNA results and Summer was really Nick’s biological daughter, not Jack’s as all had believed for the last year — was disclosed.  It was Phyllis (Gina Tognoni) who forced Sharon (Sharon Case) to disclose her lie on the very staircase where Phyllis had taken a fall, resulting in a coma that lasted a year. Tognoni (once Kelly on One Life to Live) was particularly forceful here, full of rage and tears, all aimed at Sharon.  Also giving a fine and very affecting  performance was Peter Bergman, whose Jack tearfully and shockingly found out that Summer wasn’t his natural daughter after all.

The Bold and the Beautiful — This is the month Eric picked his successor as CEO of Forrester Fashions.  His first choice was his son Ridge — until model Maya disclosed at a board meeting that Ridge had been kissing his sister-in-law and design collaborator, Caroline, who is Rick’s wife on the sly.  Jacob Young gave a particularly sympathetic and believable performance full of great depth as the betrayed Rick, as did Linsey Godfrey as the shattered Caroline.  Thorsten Kaye showed what a bastard normally good guy sly Ridge could be by brushing off responsibility for his amorous action.  Rick was finally chosen CEO.

General Hospital GH took us through several weeks when secrets were disclosed all over the place.   Roger Howarth was just delicious as Franco exposed his bride Carly mid-wedding ceremony as a cheat and a liar.  Carly had covered up the fact that Sonny killed his adopted son’s natural father A.J.  Laura Wright was extremely harrowing as the betrayed Carly, as was the even more betrayed and shocked Michael.  Chad Duell has been giving the performance of his GH career in this plot denouement   Also very good has been the always dependable  Robin Mattson, whose escaped criminal mental patient  Heather got mixed up in the almost wedding and held several characters including  Jordan and Sean hostage.  But best of all was long time acting couple Finola Hughes and Ian Buchanan, as police chief Anna had to arrest her lover Duke for covering up Sonny’s presence at A.J.’s murder.  These two actors always shine together, but were particularly effective and heavenly here.

And November sweeps isn’t even half over yet.

Daytime Emmy Nominations – Marlena Still Cares

By Marlena De Lacroix a.k.a. Connie Passalacqua Hayman    

The Daytime Emmy nominations for 2014 have been announced. Do you care?  After all these years, Marlena still does. So let’s discuss:

Best Actor:  Aside from Jason Thompson (Patrick, General Hospital) the other four nominees all come from The Young and the Restless:  Peter Bergman (Jack), Doug Davidson (Paul), Christian LeBlanc (Michael) and Billy Miller (ex-Billy.)  Miller, who performed with great strength in the storyline in which Billy’s daughter Delia was run over by a car, should be the winner.  Oddly enough, Michael Muhney, who so masterfully played guilt-filled Adam, who ran over Delia, was not even nominated.  (Muhney has since left the show.)

Best Actress:  Eileen Davidson (Kristen, Days of Our Lives) by all accounts had a particularly good year, and she is the favorite in this category.   Also nominated from Days was Arianne Zucker (Nicole).  Katherine Kelly Lang (Brooke, The Bold and the Beautiful), who had her big scenes the year before when Stephanie died, was also nominated.  But never underestimate Heather Tom, whose teary Katie on B&B had a stellar year as her character survived her husband Bill’s infidelity with Brooke.  Tom has won the statuette five times before.

Best Supporting Actress:   Y&R’s Elizabeth Hendrickson (Chloe) and Melissa Claire Egan (Chelsea) had great years as Chloe’s daughter Delia was killed by a drunk driver.  Also nominated from Y&R  as the so-so Amelia Heinle (Victoria).  Kelly Sullivan, whose Connie was murdered on GH also had a very emotional  year.  But the best of this worthy slate is Jane Elliot (Tracy, GH ), who  virtually steals the show in every scene she’s in, and should be the big winner here.

Best Supporting Actor:  Nominees in this category include Steve Burton (Dylan, Y&R), Scott Clifton (Liam, B&B), Dominic Zamprogna (Dante, GH) and Eric Martsolf (Brady, Days). But Bradford Anderson (Spinelli, GH), who had tear-filled scenes as baby Connie’s biological daddy before departing for Portlandia, deserves the win in this category.

Best Younger Actress:  This category is a toss-up.  Nominated are Kristen Alderson (Kiki, GH), Linsey Godfrey (Caroline, B&B), Hunter King (Summer,Y&R), Kim Matula (Hope, B&B) and Kelley Missal (Danielle, One Life to Live).  Each is eminently watchable and has much to recommend her.

Best Young Actor: Another category where there is no clear winner among the deserving nominees.  Nominated are Bryan Craig (Morgan, GH), Chad Duell (Michael, GH), Max Ehrich (Fenmore, Y&R), Chandler Massey (ex-Will, Days) and Daniel Polo (Jamie, Y&R).

Best Show:  Incredibly, GH, which had a relatively good year, was not even nominated.  On the list are the cancelled One Life to Live; Days (which won the Emmy last year) and Y&R. But clearly the winner, à mon avis, should be the excellent B&B, which had a year with virtually no bad storylines.

The Daytime Emmys will be awarded on June 22nd at the Beverly Hilton Hotel.  So far, no network has signed up to televise them, which is quite a statement on the state of daytime. They have been televised since 1974—but apparently won’t be this year as of yet.

The Young and the Restless’ Monster Plot Twist

By Marlena De Lacroix a.k.a. Connie Passalacqua Hayman

Soap plot twists are usually small and un-undoable. This week, The Young and the Restless let lose a monster that is neither.

Sharon Case: Her Sharon is sweet but sneaky.

As you know, most of the show over the last couple of months has revolved around the fact that Nick (Joshua Morrow)  found out from a paternity test that he is not Summer’s biological father. He thought Jack was.    This week, Sharon (Sharon Case) disclosed to her dead daughter Cassie that she changed the tests and that Nick  is Summer’s father after all.

That sneaky deed might seem out of character for Sharon, who on the surface is sweet and good.  But underneath she is insecure and lonely.  She longs for the life she used to have with first love and husband  Nick, before Cassie died and he deserted her for Phyllis.  She has also proven to be unstable in the past, having set fire to the Newman ranch last year.

The show had already been terribly shaken up when Nick revealed he is not Summer’s father.  This revelation elicited some great acting, particularly from Peter Bergman, who played instant father Jack, and Michelle Stafford, who plays Summer’s mother, Phyllis.  Hunter Hailey King as Summer had many excellent tear-drenched scenes when she found out about her paternity, and those with Bergman’s Jack  were particularly moving.

Michelle Stafford: Leaving a big hole to fill.

It also broke up Summer’s romance with sudden brother Kyle, who is Jack’s son. Harley Sawyer, whose acting has not impressed in the past, rose to the occasion in these melodramatic circumstances. His scenes with the stressed-out Summer were surprisingly good.

And of course, these plot twists will lead to even bigger plot twists.  On Friday, we saw Phyllis overhearing Sharon’s confession to Cassie about switching paternity tests.  That incident promises to lead to violence and we know Stafford is leaving the show.  The departure of the dynamic veteran Emmy-winning  Stafford will leave a big hole to fill.  But the show’s imaginative writers, who invented all these unexpected paternity switches, have demonstrated that they are up to the challenge.

In the beleaguered world of soap opera these days, it’s nice to have a little hope.

The 40th Annual Daytime Emmy Nominations: Some Killer Choices!

By Marlena De Lacroix a.k.a. Connie Passalacqua Hayman

What do you think of the 40th Annual Daytime Emmy nominees?  The list is long and illustrative given the fact that there are only four soaps.  Several categories are full of names that are most deserving. It would be very hard to cast a decisive vote should one have the opportunity.

Katherine Kelly Lang

Consider the lead actor category:  You’ve got an actor who created a real splash in General Hospital this year, Jason Thompson, who was brilliant as his Patrick Drake mourned the death of his wife Robin.  Then you’ve got the always dependable actors in the category — Peter Bergman (Jack, The Young and the Restless), Doug Davidson (Paul, Y&R) and Michael Muhney (Adam, Y&R).  Although Muhney is a great personal favorite of mine, I don’t know who did the superior job of all these outstanding actors.

Then there’s lead actress:  Who can beat Susan Flannery, who played Stephanie’s march to death so memorably on The Bold and the Beautiful? Or Heather Tom, who played Katie’s post-partum depression, also on B&B? Also excellent as was Days of Our Lives’ Peggy McCay who played Caroline’s Alzheimer’s suffering so skillfully.  Formidable, too, is Y&R’s always dependable Michelle Stafford (Phyllis), who also shone in that category.  Again, who to vote for?

For Best Supporting Actress, I’d definitely cast my vote for first time nominee (it’s about time) Katherine Kelly Lang of B&B, who played Stephanie’s best friend Brooke so beautifully and soulfully through Stephanie’s fabulously written final story. Here is an actress who has grown incredibly since her debut on the show 25 years ago, and definitely deserves recognition, not just for this year but for her long body of work.

And what about Best Show?  Can anyone beat GH, which had one of the best years in its history?  On the other hand, it’s hard to top B&B, with its brilliantly produced stories of Katie’s post-partum depression and the death of Stephanie.

Talk about killer choices. With only four surviving soaps contributing nominees, the work the voters had to choose from is all exciting and memorable. No matter who wins, the quality of all the nominees argues persuasively for the future of network soaps. Here’s hoping TPTB are paying attention.

This year’s Emmy Award ceremonies will be broadcast June 16 on HLN.

The Young and the Restless: Three Goods and a Brilliant

By Marlena De Lacroix a.k.a. Connie Passalacqua Hayman

The last time I wrote about The Young and the Restless (Y&R’s Missing Links, January 14) I confessed I wasn’t terribly excited about watching the show, save for one storyline which held my interest:  Jack’s pill addiction   Over the last two months, the show has been playing several storylines that are so intriguing   I really do want to tune in.   On the whole, Y&R is on the upswing, principally because of its much improved writing: three storylines that earn “goods” and one additional feature that is absolutely “brilliant.”

Steve Burton

1. Those pesky on-line Steve Burton haters aside, I think Y&R has done a very nice job of introducing General Hospital’s former superstar as Dylan McAvoy, war veteran and a very, very nice guy.  Burton, who is surprisingly good in this role, seems to have chemistry with all the ladies — Avery (Dylan’s ex), Sharon and Chelsea. Did you see the scene this week in which Dylan, in grief over his father’s death, took off his shirt and jumped into bed with near stranger Chelsea (who is pregnant with Adam’ baby)?  OMG, that chest!!  Marlena is not [Read more…]

Young and Restless’ Missing Links and One Live To Live (Apparently) Rises From the Ashes

By Marlena De Lacroix a.k.a. Connie Passalacqua Hayman

I’ve basically cheered on most of the changes made in The Young and the Restless these past three months.  Characters like Nick, Phyllis and even Sharon have been fixed by giving them more clarity and strength. The new sets, like Avery’s living room/kitchen and Nick’s bar, are awesome.  Ditto the new music and lighting. Happily the dialogue has improved, too. A much needed housecleaning broomed out a half dozen characters that won’t be missed. Under its new leadership, Y&R has had one classy facelift.

Peter Bergman
Tour de force as struggling pill-popper

The only problem I see is that I have trouble getting through many episodes. Where’s the excitement?  The improvements are nice, but I’m still waiting for a story that really interests me. The only plot that’makes me want to tune in every day is Jack’s pill problem.  Much of the credit goes to Peter Bergman for his tour de force performance.  But the secret of the plot’s success is that it has moved very fast. In less than three months, Jack has moved from addiction, to self-directed rehab, to recovery.  The sprightlier storytelling fits in with what I wrote about in my last column:  we’re in the Internet age, and up until now the only other soap that has really stepped up the storyline pace is General Hospital.

This was not an easy change for Y&R to make – it’s always been slow-moving.  Asking Y&R to move fast is like asking a fish to walk. I’m tired of [Read more…]

A “Bah Humbug” Christmas … Plus, The Borg is Back!

By Marlena De Lacroix a.k.a. Connie Passalacqua Hayman

Oh how I miss soap Christmases the way they used to be. Today, all soaps have been scrubbed of religion. This year only two of the four soaps — Days of Our Lives and The Bold and the Beautiful — continued with at least some of the traditions that made the holiday a really special time to watch daytime drama.  

The Horton Ornaments

On the soaps of old (actually, not even so old), every soap gathered its central families together at a family party.  On cue, a leading cast member broke the fourth wall at the end of the holiday show to wish the cherished viewers: “From our family to your family … Merry Christmas.”  Thus viewers felt particularly bonded with their other “family” — their soap family.Plus, I really missed those Christmas traditions particular to each soap! Remember all those years Dr. Steve Hardy told the Christmas story to all the kids at the hospital on General Hospital? When Mike Bauer sang Christmas carols in the Bauer living room on Guiding Light?  When all the characters of Passions, religious or not, turned out for one of Jim Reilly’s crazy midnight Christmas Eve masses?

Well, it was mostly “Bah Humbug” to Christmas on half of our surviving soaps in 2012 – a most peculiar choice, given the medium’s on-going race to stay in business. Instead of a gathering together en famille on Christmas week The Young and the Restless, Jack’s son Kyle and business associates Phyllis and Neil staged an intervention for pill-popping Jack. Peter Bergman brilliantly fired all rockets in these scenes in which obstinate Jack managed to give in to no one.    On General Hospital on Christmas Eve, surrogate mother Maxie had cramps and found out that she was indeed pregnant with Dante and Lulu’s baby.  Please oh please, tell me this wasn’t supposed to be symbolic of another Christmas pregnancy.

Thankfully, Days and B&B celebrated Christmas the old fashion way. Days offered warm family gathering, and as they do every year, rolled out the Horton family ornaments engraved with character names. B&B assembled the Forresters in a lovely tribute to the recently deceased Stephanie, as Eric (the talented John McCook) beautifully played the piano. And indeed B&B honored the old soap tradition as executive producer Bradley Bell broke the fourth wall to wish the audience a good holiday at the end of the Christmas episode. It made me feel extra good.   Happy holidays right back to everyone at B&B from Marlena!

The Young and the Restless:  On an up note, however, how unexpected is it that mega-popular Steve Burton (formerly Jason on GH) is joining Y&R?  He’ll certainly bring many of his fans with him.  I think the kind of role that’s written for him (as yet undisclosed) should have a lot to do with the actor’s success.  Wouldn’t it be interesting if his new character is on the right side of the law, unlike his unrepentant hitman Jason (nicknamed “The Borg” by the audience) on GH?

Sunday Reflections 5: The Young and the Restless, The Revamp; Reality Shows on Y&R and General Hospital; Gold Medal GH

By Marlena Delacroix a.k.a. Connie Passalacqua Hayman

The Young and the Restless:  The hardest job in the soap world is being done right now by new executive producer Jill Farren Phelps and headwriter Josh Griffith as they revamp Y&R and are rumored to be paring down its expensive cast.  Marlena has always believed it’s not a critic’s job to tell producers what to do; it’s our job to react to it.  Yet, I can’t resist making some observations on the Y&R they are examining right now.

How the hell are Phelps and Griffith going to get rid of any veterans, when the greatest strength of Y&R is its plethora of actors who have been on for decades? Firing any will be an amputation, with the fans just screaming bloody murder even after just one pink slip. Look at how wrenching it was to lose Eileen Davidson as Ashley, who departed Y&R just last week for Days of Our Lives!  Almost all the older vets have proven their worth by improving the awful stories of Ms. Arena Bell and company though their great acting abilities. Examples: 

Peter Bergman

Michelle Stafford

Peter Bergman’s Jack conquering paralysis and his joke of a marriage to Melody Thomas Scott’s  Nikki; Michelle Stafford in the on-going travails of Phyllis; Doug Davidson, bravura as Paul in the father kills son Ricky story, and on and on. For whom will the bell toll?

Caution: cutting or deemphasizing the vets on Y&R would likely kill the show, as it will cause longtime viewers — its core audience — to flee.  Plus, any of these actors can be maintained or saved by improved writing for their characters.

Doug Davidson

Most likely cuts will come from the shorter-termed vets from other shows, like the Genie Francis (totally miscast as scheming Genevieve) and those who have run out of story, like Stephen Nichols (Tucker).  Please don’t cut Debbi Morgan (Harmony) and Darnell Williams (Sarge)!  Each has more than carried over their momentous acting skills from All My Children to Y&R and I’ll cry if they get the sack.

The most effective move would be to punch up or recast most of the young cast, who range from nothing more than ordinary to dreadful.  I have never been a fan of (recent Emmy winner!) Christel Khalil (Lily) and Daniel Goddard (Cane).  Lily and Cane are insipid and I don’t care to see any more about Cane’s past. The relative newbies such as Blake Hood (who plays the newly adult Kyle) and Jessica Heap (who plays Eden) don’t do much for me.  I have a feeling the show will be bringing in [Read more…]