The Bold and the Beautiful: Maya/Myron is a Transgender Person


By Marlena De Lacroix a.k.a. Connie Passalacqua Hayman

To commemorate The Bold and the Beautiful’s 28th anniversary last Wednesday, executive producer and headwriter Bradley P. Bell staged a daytime soap cliffhanger that is the shock of the soap century: revealing that Maya Avant (Karla Mosley) is really Myron, a transgender person.  She was born a man.

You go, Bradley!

Karla Mosley: Her Maya Avant revealed to be transgender

Maya is a model at Forrester Creations and the live-in love of Rick Forrester (Jacob Young). The couple currently hosts the Forrester Mansion.  It was in the living room at the end of last Wednesday’s episode that Maya’s sister Nicole (Reign Edwards) told Maya that she is not her sister but her brother.  Wowsa!  What a beginning to a storyline!  The episode  trended on Twitter immediately!  B&B had managed to keep this stunning reveal top secret. Miraculously, there had been absolutely no spoilers!

Maya/Myron is not daytime’s first transgender character, contrary to what The Daily Mail (England’s gossipy newspaper/website) reported this week.  That honor belongs to Azure C (Carlotta Chang) on The City.  And then there’s Zarf /Zoe on All My Children.  I loved Wendy Mercury (played by herself) the transgender bartender on One Life to Live.  The great and mighty headwriter Claire Labine (Ryan’s Hope, General Hospital) created Wendy in 1997 in collaboration with her sub-writer children Eleanor Mancusi and Matthew Labine.

In real life, Wendy was/is an opera singer who back then acted by day and performed by night at an infamous drag club and restaurant on the Lower East Side of Manhattan called Lucky Chang’s. She is just superb!

Maya/Myron is of course an homage to Myra Breckinridge, the 1968 novel by the late Gore Vidal that became a movie in 1970. Vidal was a noted author, playwright, satirist, raconteur and television personality with a taste for the flamboyantly shocking.  His sexually explicit, luridly campy tale of a man who becomes a woman amid the sleazy culture of behind-the-scenes Hollywood was considered high scandal in its day.

Myra/Myron was film’s first transgender person, played in the equally explicit and truly awful movie version (some say the worst film of all time) by Raquel Welch, then hottest thing on the screen. It also co-starred the iconic Mae West (“Come up and see me sometime”) as Letitia Van Allen, a sexually voracious Hollywood agent with a four-poster bed in her office. It was the first movie for a very young and hunky Tom Selleck, before  he made his breakthrough soap role on The Young and the Restless as Jed Andrews during that soap’s premiere year, 1973. In the movie, Selleck was billed simply as “Stud.”

Y&R was  the first soap to focus on young people. It was co-created by the late legendary  Bill  Bell and his wife Lee Phillip Bell.  They are the parents of Bill Jr, Bradley and Lauralee (Christine/Cricket Williams) and the co-creators of B&B as a spinoff  to Y&R in 1987.

Raquel Welch as Myra Breckinridge

Of course Vidal’s Myra/Myron was created to sell the novel and the movie.  She was a phenomenon of the late 60s just as the as mores of Hollywood were quickly changing. Old taboos were falling everywhere, and the book and movie were emblematic of a new era of sexual explicitness that would have seemed impossible just a few short years earlier. Myra/Myron, book and movie, brought in audiences by the zillions, just as Vidal planned.

And that’s exactly what Bradley P. Bell and CBS Daytime want Maya as a her/him to do for B&B, which already is the most popular soap opera worldwide. B&B doesn’t need to do this.  But they did it.  How high will the ratings spike for this week?  For B&B, CBS and Bradley Bell, the sky is the limit!

This is not to disparage the subject of transgender identity and the very real issues it poses for many people who want and deserve society’s respect. GLAAD, the leading advocate in the media for gays, lesbians and transgender people, has come forward in support of  this ostensibly ground-breaking storyline. Okay, but with all due respect to this worthy organization, this is not really such a groundbreaker for soaps. It will succeed or fail in proportion to how genuinely sensitive and realistic it is. Otherwise, it’s just another stunt.


Heavenly November Sweeps Performances on The Young and the Restless, The Bold and the Beautiful and General Hospital

By Marlena De Lacroix a.k.a. Connie Passalacqua Hayman

It’s been quite an eventful November sweeps so far.  Stories built over the course of a year or more usually reach their apexes if not their conclusions  over sweeps months (February, May, November) and writers plot their most dramatic action to stretch over these months.   This November’s star plots on The Young and the Restless, The Bold and the Beautiful and General Hospital varied in quality but mostly  offered actors who pulled out all the stops and gave their best, sometimes Emmy-worthy performances during the month. Let’s partake of the feast:

The Young and the Restless — This was finally the month that Sharon’s long held secret – that she had switched the DNA results and Summer was really Nick’s biological daughter, not Jack’s as all had believed for the last year — was disclosed.  It was Phyllis (Gina Tognoni) who forced Sharon (Sharon Case) to disclose her lie on the very staircase where Phyllis had taken a fall, resulting in a coma that lasted a year. Tognoni (once Kelly on One Life to Live) was particularly forceful here, full of rage and tears, all aimed at Sharon.  Also giving a fine and very affecting  performance was Peter Bergman, whose Jack tearfully and shockingly found out that Summer wasn’t his natural daughter after all.

The Bold and the Beautiful — This is the month Eric picked his successor as CEO of Forrester Fashions.  His first choice was his son Ridge — until model Maya disclosed at a board meeting that Ridge had been kissing his sister-in-law and design collaborator, Caroline, who is Rick’s wife on the sly.  Jacob Young gave a particularly sympathetic and believable performance full of great depth as the betrayed Rick, as did Linsey Godfrey as the shattered Caroline.  Thorsten Kaye showed what a bastard normally good guy sly Ridge could be by brushing off responsibility for his amorous action.  Rick was finally chosen CEO.

General Hospital GH took us through several weeks when secrets were disclosed all over the place.   Roger Howarth was just delicious as Franco exposed his bride Carly mid-wedding ceremony as a cheat and a liar.  Carly had covered up the fact that Sonny killed his adopted son’s natural father A.J.  Laura Wright was extremely harrowing as the betrayed Carly, as was the even more betrayed and shocked Michael.  Chad Duell has been giving the performance of his GH career in this plot denouement   Also very good has been the always dependable  Robin Mattson, whose escaped criminal mental patient  Heather got mixed up in the almost wedding and held several characters including  Jordan and Sean hostage.  But best of all was long time acting couple Finola Hughes and Ian Buchanan, as police chief Anna had to arrest her lover Duke for covering up Sonny’s presence at A.J.’s murder.  These two actors always shine together, but were particularly effective and heavenly here.

And November sweeps isn’t even half over yet.

The Bold and the Beautiful: Three Into Two Won’t Go

By Marlena De Lacroix a.k.a. Connie Passalacqua Hayman

The Bold and the Beautiful is just past its 25th birthday and carries on doing  what it does best:   love triangles.  The show’s  theme might as well be, Three Into Two Won’t Go, which was the title  of an English movie I remember from 1969. Apart from the nifty title, it was a fairly pretentious Swinging Sixties exercise about a middle-aged man (Rod Steiger) who falls for a young woman hitchhiker (Judy Geeson), who proceeds to become a boarder in his and his wife’s (Claire Bloom) home. Soaps really do some things better from time to time, even without such a heavyweight cast.

Darin Brooks

Consider first the triangle that has all but consumed the show — Steffy-Liam-Hope. It’s finally at an end, though perhaps only temporarily if Jacqueline MacInnes Wood hasn’t really left the show for good, and is instead just on a long hiatus.  Wood did spectacular work on her way out as Steffy learned she  could never have children and left for Paris without appraising Liam of that fact.  Before  exiting, she “gave” Liam to Hope. But the ever  besotted Hope has just  met a new man, Wyatt, played by cute Emmy winner  Darin Brooks, who used to play Max on Days of Our Lives. So one good triangle smoothly should replace another. And it’s about time Hope stopped being so hung up on Liam, who did her wrong with Steffy numerous times.

Karla Mosely

Another promising new triangle is now arising, to be known henceforth as Maya-Rick-Caroline. Caroline wants to marry Rick, but now he only has eyes for Maya, an ex-con.  Lindsay Godfrey is immeasurably better now that her character has turned into a bad girl. But the show has a made a major find in sparkling Karla Mosley as Maya.  She plays strength and independence well, something unusual for a B&B heroine. As Rick, Jacob Young, an old soap pro, has the chops to play a very effective leading man to both women who are vying for his embrace.

But the best triangle on the show is Brooke-Bill-Katie.  Don Diamont, who plays Bill, and Katherine Kelly Lang, who plays Brooke, are an electric pairing with great sexual magnetism. Their attraction is forbidden and lurid Bill, who  is married to Brooke’s sister Katie, played by Heather Tom, who just won her third Daytime Emmy in the role. Brooke just dodged  a bullet: turns out she was not pregnant after all following a one night stand with Bill.  But that doesn’t mean this love triangle is over.  Au contraire.  On B&B love triangles have a habit of going on forever and with such a worthy cast, here’s hoping this one will, too. too.