The Young and the Restless’ Monster Plot Twist

By Marlena De Lacroix a.k.a. Connie Passalacqua Hayman

Soap plot twists are usually small and un-undoable. This week, The Young and the Restless let lose a monster that is neither.

Sharon Case: Her Sharon is sweet but sneaky.

As you know, most of the show over the last couple of months has revolved around the fact that Nick (Joshua Morrow)  found out from a paternity test that he is not Summer’s biological father. He thought Jack was.    This week, Sharon (Sharon Case) disclosed to her dead daughter Cassie that she changed the tests and that Nick  is Summer’s father after all.

That sneaky deed might seem out of character for Sharon, who on the surface is sweet and good.  But underneath she is insecure and lonely.  She longs for the life she used to have with first love and husband  Nick, before Cassie died and he deserted her for Phyllis.  She has also proven to be unstable in the past, having set fire to the Newman ranch last year.

The show had already been terribly shaken up when Nick revealed he is not Summer’s father.  This revelation elicited some great acting, particularly from Peter Bergman, who played instant father Jack, and Michelle Stafford, who plays Summer’s mother, Phyllis.  Hunter Hailey King as Summer had many excellent tear-drenched scenes when she found out about her paternity, and those with Bergman’s Jack  were particularly moving.

Michelle Stafford: Leaving a big hole to fill.

It also broke up Summer’s romance with sudden brother Kyle, who is Jack’s son. Harley Sawyer, whose acting has not impressed in the past, rose to the occasion in these melodramatic circumstances. His scenes with the stressed-out Summer were surprisingly good.

And of course, these plot twists will lead to even bigger plot twists.  On Friday, we saw Phyllis overhearing Sharon’s confession to Cassie about switching paternity tests.  That incident promises to lead to violence and we know Stafford is leaving the show.  The departure of the dynamic veteran Emmy-winning  Stafford will leave a big hole to fill.  But the show’s imaginative writers, who invented all these unexpected paternity switches, have demonstrated that they are up to the challenge.

In the beleaguered world of soap opera these days, it’s nice to have a little hope.

Young and Restless’ Missing Links and One Live To Live (Apparently) Rises From the Ashes

By Marlena De Lacroix a.k.a. Connie Passalacqua Hayman

I’ve basically cheered on most of the changes made in The Young and the Restless these past three months.  Characters like Nick, Phyllis and even Sharon have been fixed by giving them more clarity and strength. The new sets, like Avery’s living room/kitchen and Nick’s bar, are awesome.  Ditto the new music and lighting. Happily the dialogue has improved, too. A much needed housecleaning broomed out a half dozen characters that won’t be missed. Under its new leadership, Y&R has had one classy facelift.

Peter Bergman
Tour de force as struggling pill-popper

The only problem I see is that I have trouble getting through many episodes. Where’s the excitement?  The improvements are nice, but I’m still waiting for a story that really interests me. The only plot that’makes me want to tune in every day is Jack’s pill problem.  Much of the credit goes to Peter Bergman for his tour de force performance.  But the secret of the plot’s success is that it has moved very fast. In less than three months, Jack has moved from addiction, to self-directed rehab, to recovery.  The sprightlier storytelling fits in with what I wrote about in my last column:  we’re in the Internet age, and up until now the only other soap that has really stepped up the storyline pace is General Hospital.

This was not an easy change for Y&R to make – it’s always been slow-moving.  Asking Y&R to move fast is like asking a fish to walk. I’m tired of [Read more...]