On the Bridge: A Most Confusing General Hospital Dream Sequence

By Marlena De Lacroix a.k.a. Connie Passalacqua Hayman

It’s a soap’s absolute responsibility to be clear about what’s going on.  Last week General Hospital presented a mess of a dream sequence about two possible Francos that was so confusing, I couldn’t figure out what supposed to be real and what was not. I’ve rarely been so bewildered in many decades of watching soaps.

Pistol-packing Sam (Kelly Monaco) faces off with delusional Franco (Roger Howarth)

The sequence occurred on a bridge in Port Charles. That much is certain. The rest … well, not so much. Here’s what we were shown:

Franco, who thought he was Jason, had just kidnapped terminally ill (with leukemia) baby Daniel from the hospital. The baby’s mother, Sam, had tried to prevent the kidnapping, producing a gun and firing it at Franco. Evidently she missed, and somehow wound up unconscious on the floor. Meanwhile, Franco had escaped with the child. He took up a position at the railing of the bridge, properly wild-eyed and crazy-acting, and holding the baby as it to drop him over the side.

By this time, we viewers were beside ourselves with fear for the baby’s life. Amid all this alarm, Elizabeth appeared in her hospital uniform.  She stared in horrified disbelief, and then we saw what she was staring at: not one, but TWO Francos, one ostensibly Jason, and the other the real Franco — or was he? There ensued a debate between the two (courageously acted by Roger Howarth) about what to do with the baby. Franco won, but instead of deep-sixing the infant, he ordered Jason to shoot Elizabeth. Jason inexplicably complied, then helpfully took possession of the child as Franco dumped Elizabeth’s lifeless body over the side of the bridge.

Quelle horreur! But not to worry. Cut quickly to Elizabeth, very much alive and carrying out her duties at the front desk of the hospital.  Presumably, some or all of what had just transpired was intended as a dream sequence. But whose dream? And how much of it? Was the baby really kidnapped? What was up with the two Francos? Was the person who was claiming to be Jason the real Jason, who had ostensibly been killed off when Steve Burton left the show last year?   Was the real Jason still alive? If so, this would be a key fact in the ongoing GH narrative. Nous avons été très confus. To put it mildly.

And we weren’t finished. Before the episode ended, the presumed dream sequence resumed. Franco decided to jump off the side of the bridge, his last vile directive urging Jason to dump Danny over the side also.  This was truly scary!  Finally, just as Jason was about to commit this dastardly deed, Carly appeared.  Slowly but surely, Carly talked Franco (calling him” Jason”) out of killing the baby and talked him down from the bridge.

What was the explanation for this muddled exercise?  GH’s creative team actually offered one. Seems Franco had a brain tumor, and thought he was Jason. The dream was his, in which he appeared as both Jason and himself. Later in the week, Patrick operated on him for this tumor.  As the week ended, we assume the operation was successful. Better yet, it had just been discovered Franco is a match for Danny’s bone marrow, thus saving him from leukemia.

At last, a happy ending for the saga of Franco and some semblance of clarity. Maybe. Can we be sure, given the week of clumsy storytelling we had just endured? If only the writers of General Hospital had made clear all along what was really happening during this dream (or was it reality) sequence, maybe the viewers would be happier, too.    

Why General Hospital Is So Unsatisfying to Watch Right Now

By Marlena De Lacroix a.k.a. Connie Passalacqua Hayman   

We had hope, didn’t we, in those heady days when General Hospital, the leading survivor among network daytime soaps, seemed to be in the ascendancy again. Alas, the good times have faded. These days, watching GH is a very frustrating experience.   Many of the storylines are unsatisfying. The characters don’t make much sense and the stories lack motivation and have holes in them. 

Roger Howarth’s Franco, dancing as fast as he can

The show still seems to still be struggling to come to terms with its three character switches, if that is fully possible.  As Franco, Roger Howarth (formerly Todd) is dancing as fast as he can, but still can’t seem to escape the character’s unseemly and criminal past, no matter how much the show “factually” absolves him of his sins — responsibility for Michael’s rape, Sam’s non-rape, etc.  Kristen Alderson (formerly Starr) is still terrible as Kiki, her eyes bulging and mouth always agape as she engages in her forbidden romance with biological cousin Michael.  As Silas, Michael Easton seems too cold as a cancer doctor, and does not even exhibit his trademark sex chemistry (from when he played John) with Kelly Monaco, who still plays Sam.

At least they have tried to cross Silas into a new story.  He seems to have a romantic past with Ava, as played by Maura West, the show’s revelation as an actress. West carries on as well as can be expected, considering that her fairly new character is so quickly saddled with the shooting of Olivia.  How can she get away with it and still be on the canvas?

Forever pregnant? Dr. Britt (Kelly Thiebaud) and Maxie (Kristen Storms)

The show has crossed Nicholas into a story with Britt, who is still – in what may be soap opera’s longest gestation period — pregnant with Patrick’s baby.   For some reason not well explained or even likely, Britt and Nicholas seem interested in each other.   Meanwhile, Patrick (supposedly the father of Britt’s baby) and Sabrina continue their romance, which lacks any kind of authentic sexual spark and is thus hard to believe.  

And speaking of endless pregnancies, what about Maxie, who is carrying her own baby, secretly fathered by Spinelli. She is the surrogate mother to what she is passing off as Lulu and Dante’s daughter, although many fans think Britt’s baby is really their transplanted embryo.  Got that?  We’re really in trouble when whole scenarios dreamed up by fans as well as the writers are equally unappealing.

Even worse, there are signs that GH may be retreating into the world of Bob Guza, with all its bad taste and silly violence! How else to explain Don Sonny ordering a compliant Shawn to beat Franco to a bloody pulp? It was uncalled for and gross.  And can’t the “creative” team do better than the creepy gay lab tech Brad trying to blackmail the straight Michael into sleeping with him to silence his knowledge that Kiki and Michael are romantically involved?

Listen up, GH! We were so happy when you seemed to leave all that shallow sleaze in the rear view mirror. Turn back at your peril.

The Bold and the Beautiful Reaches a Pinnacle of Soapy Goodness!

By Marlene De Lacroix a.k.a. Connie Passalacqua Hayman

Every soap generation has its touchstone moment. It usually happens when a plot turn is so soapy good it earns your allegiance to its characters for decades.  Mine occurred on Another World in the 70s when Alice (Jacqueline Courtney), engaged to Steve (George Reinholt), found out her sister-in-law Rachel (Robin Strasser) was pregnant with Steve’s baby.  Oh, the magnificent melodramatic pain and heartbreak of it all!

Hasty horndogs Brooke and Bill

For younger soap viewers, such a touchstone moment may have occurred this week on The Bold and the Beautiful.  At Brooke’s birthday party, Taylor interrupted all the testimonials to Brooke’s virtue by blurting out the truth — that Brooke had slept with her brother-in-law Bill, getting pregnant.  At the time, wife Katie had taken off her wedding ring and lay unconscious in the hospital. Did horndogs Brooke and Bill have to hop into bed so fast? Quelle horreur!

These revelation scenes were so fantastic because they were almost a year in coming, and the actors really milked the episodes of emotions for all they were worth.  Exhibiting the talent and passion that brought Heather Tom three Best Actress Emmys, Katie wept piteously and became entirely bitter.  The excellent Katharine Kelly Lang as the cringewowrthy Brooke also cried, overwhelmed by the shame the character had truly earned. Most interestingly, Don Diamont as the ever arrogant Bill went on the defensive, saying Katie had driven him to sleep wIth Brooke by constantly throwing them together.  How could Katie – or any other woman — care for this incredible nasty bastard ever again? Playing the villainy it for all it was worth, Diamont was the perfect slime.  

Such great soap moments can only come together though the seamless work of cast, writers, producers and crew. The headwriter here was Bradley Bell, and Bell is also the show’s executive producer.   Individual episodes during the week were written by Adam Dusevoir and the great Patrick Mulcahey, an Emmy-winning veteran of Santa Barbara and General Hospital.

It was just another great week of well-acted, nicely written and hard-hitting drama on B&B — not to be forgotten, perhaps, by a new generation of viewers. And it’s not even sweeps month!

Appreciating Three Wise Decisions – In Soap Land, No Less

By Marlena De Lacroix a.k.a. Connie Passalacqua Hayman

Soap critics never miss a chance to bash all they dislike.  But credit should always be given where credit is due. So this week, Marlena would like to give kudos to three significant decisions:

1.  OWN, the Oprah network, picked up the first 40 episodes of All My Children and One Life to Live from Prospect Park. These are the pioneering episodes produced for online viewing in a bold experiment to aimed at giving the iconic soaps a rebirth. Now they’ll be broadcast again on Oprah’s cable network starting July 15th.  Hooray!  Now, we the technologically unadvanced have a chance to watch these shows on regular TV! As explained by Roger Friedman in Show Biz 411, here , Oprah, an astute businesswoman decided to pick up the two shows after the megasuccess of Tyler Perry’s original soap The Haves and Have Nots, which more than doubled her network’s viewership.  Kudos to OWN for realizing the power of soaps, in an era when so many still proclaim them to be dying.

2.  CBS, number one in viewership and Emmy wins, is demonstrating that it still knows the power of Friday cliffhangers.  So many soaps stopped doing them years ago in favor of spreading out story high points during the week.   But this week The Young and the Restless and The Bold and the Beautiful had socko Friday endings which guarantee the return of viewers on Monday:

On Y&R, Phyllis and Kyle  kissed, as Phyllis tried to break up the romance of Summer and the biological brother she doesn’t know she has. This kiss (and maybe more) has huge ramifications, potentially breaking up Phyllis and father Jack and Summer and Kyle’s budding romance, too.  Is this Michelle Stafford’s exit storyline? 

Hunter Tylo

Meanwhile, over on B&B:  Also leaving her show is Hunter Tylo whose Taylor lowered the bomb on Brooke Friday encouraging her to tell her secret to all the guests at her birthday party. Brooke secretly slept with her brother-in-law Bill, becoming pregnant. Katie never knew — until now. Wow!  The ramifications here are huge inasmuch as this is the soap’s central story.

I’m coming back to watch both Y&R and B&B on Monday.  Are you?

3.  General Hospital paired brilliant actors Roger Howarth and Maura West as “romantic” partners Franco and Ava.  So what if this pairing is a put-on, one to wrest the ownership of ELQ and the Quartermaine fortune from the Quartermaines? The pairing of the two most talented and charismatic actors in the soap business is absolutely divine soap watching for us GH fans.  Hope these a deux scenes go on depuis longtemps.

A Negative Vote on This Year’s Daytime Emmys

By Marlena De Lacroix a.k.a. Connie Passalacqua Hayman 

Last year I praised HLN’s first production of the Daytime Emmys because it was straightforward and lean.  This year’s show was exactly the opposite — overlong (almost three hours) and full of things that just shouldn’t have been included.  Boring!

Doug Davidson and his well-deserved and long overdue Best Actor award (Photo by Richard ShotwellInvision/AP)

How about that couch?  I’m talking about the one on which winners were interviewed by such “journalists” as Giada Di Laurantiis and Sheryl Underwood.  At least some of the winners — Best Actor Doug Davidson and Best Supporting Actress Julie Marie Berman, for instance — handled themselves well and with grace in the awkward situation.  There was just too much stuff stuffed into the show — like two Lifetime Achievement awards (Monty Hall and Bob Stewart) and presentation of three generic Best Song performances by co-host Robin Meade (who is at least a pretty woman with a nice voice).  Nancy Lee Grahn’s brief comedy bits filmed outdoors were not very good..

The whole problem with the show is that in content it aimed to be a major network presentation, but missed because of poor and cheap production.  It makes us remember and appreciate what a good job Dick Clark Productions did with the show over the years.  The hosts — Sam Champion, A.J. Hammer and Meade — were just meh, and scattershot appearances by them did nothing to keep the whole production feeling cohesive.  All in all, the 40th annual Daytime Emmys was a production not befitting of its own lofty aims or of the hard work done on daytime television by so many creative people over the year.

The winners in most of the acting categories, on the other hand, were well chosen.  Finally, Davidson deservedly won his Best Actor statuette after 35 years in the show in a very emotional storyline on The Young and the Restless (Paul shot his would-be murderer son Ricky.)   The Bold and the Beautiful’s Heather Tom always excels, particularly in her storyline in which Katie suffered a near-psychotic breakdown after the birth of her son.  And General Hospital’s Julie Marie Berman’s win as Best Supporting Actress was a good parting gift from the show.

Speaking of GH, wasn’t the show shortchanged in a year when the big awards (Best Show, Best Writing, Best Direction) went to B&B. Not that B&B had a bad year (it was very good, especially with the scenes leading up to Stephanie’s death), but GH literally had its finest years in decades, an everyday must-see show which corrected the mistakes made by the horribly crime-centric longtime headwriter Bob Guza.  Except for an underserved award for Best Young Actress to Kristen Alderson (while she was still playing Starr Manning), GH deserved many more awards and  rewards this year.

On Days of Our Lives, Chandler Massey was rewarded for a very nice job with Best Younger Actor. Then the show went on to score the evening’s the real upset – Days won as Best Soap.  As bitterly noted by executive producer Ken Corday in his acceptance speech, this was the first time in 38 years the show had won the ultimate award.

So, Thinking Fans, did Days deserve it?

The Young and the Restless: Time and Patience Needed

By Marlena De Lacroix a.k.a. Connie Passalacqua Hayman

I’m on school vacation and have plenty of time on my hands.  So I’ve been watching a lot of The Young and the Restless.  It’s pretty good soap, if time and patience are your strengths as a soap viewer.

Y&R, as is its custom, is much slower than other soaps.  A storyline — take Jack and Phyllis’ romance, for example — can take twenty years to resolve.  Right now, it’s about to be exposed whether Phyllis’ daughter Summer is Jack’s or Nick’s biologically. A single new romance like as Nick and Avery’s can take an entire year to develop.  They’re finally formally engaged as of this week!  Any one storyline can go through dozens of ups and downs.

Tracey E. Bregman and Christian LeBlanc

The current best example is Lauren and Michael’s long marriage and the rough seas it has been going through since Lauren had a hot affair with Carmine.   It took forever for Michael to find out about the affair and now he seems to be moving in and out of his and Lauren’s home with regularity.  Actually this storyline is a good showcase for daytime’s best current couple, Tracey E.  Bregman and Chrtistian LeBlanc, durable and always engaging actors both. We watched both performers grow up on soaps and we’re still tuned in.  Will Lauren and Michael stay together? I bet this storyline has years to go, and that Bregman and LeBlanc will continue to carry it forward.

Others that have gone on seemingly forever aren’t so palatable.  I’m tired of Kevin and Chloe debating Kevin’s criminal tendencies.  Chelsea’s sole reason for being seems to be getting pregnant. As you know, she’s currently carrying ex-husband Adam’s baby and passing it off as Dylan’s.

As you also know, the star du jour of the show is General Hospital émigré Steve Burton who plays Dylan, or as I call him Dumb Dylan.  He seems like a pretty intelligent guy, yet he persists in believing Chelsea’s big lie.  It doesn’t make much sense since he’s otherwise insightful and perceptive. Writer alert: this isn’t Burton’s fault.

Despite its perpetual status as the top rated show, Y&R is certainly facing big challenges right now.  On top of Jeanne Cooper’s recent death, Michelle Stafford is about to leave the show.  Can any one soap afford to lose two of its longtime superstars in such a short period of time? Ratings will tell.

So how goes your early summer, Thinking Fans? Do you have the patience to watch Y&R?     

Daytime Emmy Chump Change

On June 16th, this year’s Daytime Emmys will be broadcast on HLN.   Released this week were the names of the hosts — Sam Champion, Good Morning America’s co-host, and HLN hosts A. J. Hammer and Robin Meade. But … if an awards show’s prestige is measured in part by the star power of its celebrity hosts, couldn’t we have bigger names than these? We know there are only four daytime soaps left (and two on-line) but certainly the year’s big awards ceremony deserves be headlined by hosts with more juice. What do you think? 

Franco: Make or Break for General Hospital?

By Marlena De Lacroix a.k.a. Connie Passalacqua Hayman

Maura West

So let’s take a survey.  How many Thinking Fans think Roger Howarth’s great charm as an actor can overcome the unbelievable maneuvers that have been made to bring back evil Franco as a viable everyday character?  Erasing Franco’s responsibility for the  rapes of Sam and Michael has taken quite a bit of tap dancing by headwriter Ron Carlivati, and I find the moves bizarre to say the least. I guess they had to give Howarth a character with some bad boy flavor, but Franco? Tell me what you think of this decision and whether or not you think it will make or break General Hospital’s current ratings. They’ve taken quite the risk here, je pense.

Emme Rylan

An additional thought from moi:  the very strong additions of Emme Rylan (new Lulu) and Maura West (Ava Jerome) just might also be enough to counterbalance any kind of ratings or popularity hit the show may take because of the Franco fiasco.  Que pensez-vous?

The Bold and the Beautiful:  Seductive Brooke Strikes Out

I’ve watched Brooke Logan flit around as a practicing sex addict on The Bold and the Beautiful for more than twenty-five years now.   But she’s never have been as pathetic as she was this week when she used all her seductive moves to get Eric to leave  Taylor and “father”  her unborn baby (who was really conceived with brother-in law Bill Spencer?).  Eric resisted her moves!  He’s usually so easily seduced  and Brooke is usually such a successful seductress.  By this point Eric should really be looking into senior housing. But Katherine Kelly Lang’s Brooke will probably never get too old to pull her patented seduction act.   How truly refreshing it was to see Eric say no  – at least for now — to the usually irresistible Brooke.

The Young and the Restless:  A Classy Tribute for a Classy Lady

What a classy and truly meaningful episode-long tribute The Young and the Restless did for the late Jeanne Cooper this week.   In forty years of soap watching, I can’t remember this amount of time being allotted to a departed actor in this way.   It was so sweet to have the entire cast share their memories of Cooper with the audience.  I could have done without their tales of Cooper’s habit of pinching all the young male character’s body parts, though. But I guess it’s nice to know that that even a lady full of class could be naughty once and a while.

Port Charles is Frustration City

By Marlena De Lacroix a.k.a. Connie Passalacqua Hayman

As noted last week and confirmed by the passionate reaction in the letters section, there seems to be massive dissatisfaction with General Hospital right now.   And it’s not only the appearance of three new characters with too-familiar faces (played by Kristin Alderson, Michael Easton and Roger Howarth).  The show is frustrating to watch, with too many stories that need quick resolutions or some casting corrections.   I have some ideas on how these stories might be improved.

Roger Howarth, now a blond and annoying mysterioso

1. Identify the mystery character played by Roger Howarth ASAP. The guessing game as to who this sinister blond is has gone on about two weeks too long. Is he Jason?  Is he Franco?  Is he a triplet we’ve never heard of? Is this the return of The Talented Mr. Ripley? The guessing game has gone on about two weeks too long, and it’s more confusing and thus annoying by the day.   We’ve seen him happily meet harmoniously with baddie Heather and let himself in with a key to good girl Sam’s apartment.  Franco, Sam’s rapist, is a ruined character. Would the show really waste a star actor like Howarth on another version of Jason, a character is so identified with the actor Steve Burton (who is now on The Young and the Restless)? Here’s hoping the producers have more imagination.  The beginning of his party on the Haunted Star this week will be a much needed big reveal

2. Who is the father of Britt’s baby?  Tell us, immediately!   Britt’s condition was revealed just about the time Patrick finally revealed his feelings for Sabrina, something we had waited for almost three-quarters of a year.  An instant baby “fathered” by Patrick is too pat a relationship spoiler. Or could Britt really be carrying Dante and Lulu’s baby?  The story is too frustrating to go one for six more long months. Reveal the identity of the baby’s father right away! Please!

3. Review and think about fine tuning the young casting.  Mark Teschner is probably the best casting agent in the soap business, but his choices of late have been disappointing. Jimmy Deshler, who plays Rafe, appears to be incapable of more than scowling, and Bryan Craig, who plays the very central character Morgan (son of Carly and Sonny), seems to be a limited actor beyond his nicely developing young pecs.  Neither seems up to the challenge of carrying a story. GH should bring in stronger young actors now, as summertime is always the season when young soap stories are highlighted.  

Your turn, Thinking Fans. Any suggestions for getting GH back on track? 

General Hospital Has Identity and Condiment Problems

By Marlena De Lacroix a.k.a. Connie Passalacqua Hayman

The core of watching soap operas is to believe.  Unfortunately, General Hospital viewers had to put that value behind them this week when the show introduced new characters played by oh-so-familiar faces, all with new hair-dos to signify their new personae.  Michael Easton, who played John, is now playing Steven Clay’s brother Silas, who wears a pony tail.  With her hair naturally brunette, Kristin Alderson, who played Starr, is now playing Kiki. Superstar Roger Howarth, formerly known as the infamous Todd, now looks like a chic European supermodel in his dyed blond do, thus equipping him to play an oily character whose nefarious intentions are yet to be shared with the audience.

The GH producers had little choice but to recast the actors, when Prospect Park (the producers of the on-line All My Children and One Life to Live) prohibited them from using the actors as their former OLTL characters. I’m sure it was a hard choice.  They’re betting the loyalty of their audience on it. Will they lose viewers? Probably. Because belief is so fundamental to enjoying soap operas, I think GH will be on the losing end here.

The tricky situation won’t be as bad if the actors can manage to create new characters to go along with their new looks. This is a tall order – all three are strongly identified with their former screen selves. But they’re going to give it a go:  Easton – stuck as he is with his long face, dark gaze and trademark deep voice – is nonetheless trying to be someone new as Silas, the doctor brother of the dead serial killer Clay.  Howarth has used his new look to create someone who is very threatening and, at the same time, very intriguing. His name has yet to be revealed to the audience. Only Kristin Alderson appears not to be working very hard to make her Kiki substantially different from her Starr. Making the situation more confusing is the fact that Kiki is the poker playing girlfriend of Morgan. She used to be the girlfriend of his brother Michael, who at this point, must be very, very confused.

On The Chew: Mario Batali, Jane Ellliot and Michael Symon

However, GH did have a choice in doing a long sequence which promoted its ABC time slot on The Chew.  A. J. Quartermaine (the superbly charming Sean Kanan) pitted his Pickle-Lila formula vs. his aunt’s Tracy’s Pickle-Eddie in a condiment taste-off on air.  What followed was embarrassing mugging by The Chew cast (especially by chef Mario Batali) and even more hopeless overacting by the usually marvelous Jane Elliot, who plays Tracy. As you know the samples were poisoned (most probably by Roger Howarth’s new character) and Liz and Batali wound up in the hospital.

The whole sequence was too broad and over the top and reeked of the desperation of its own network-sponsored cross-promotion.   The story might have worked if so many episodes hadn’t been devoted to it.  In the end, we still don’t know which Pickle-Lila formula is actually better, and the ownership of ELQ is still in question.   Does Tracy own it or does A.J?  We can be reasonably sure we won’t find out any time soon. How much longer can we be expected to relish this interminable relish business?

The 40th Annual Daytime Emmy Nominations: Some Killer Choices!

By Marlena De Lacroix a.k.a. Connie Passalacqua Hayman

What do you think of the 40th Annual Daytime Emmy nominees?  The list is long and illustrative given the fact that there are only four soaps.  Several categories are full of names that are most deserving. It would be very hard to cast a decisive vote should one have the opportunity.

Katherine Kelly Lang

Consider the lead actor category:  You’ve got an actor who created a real splash in General Hospital this year, Jason Thompson, who was brilliant as his Patrick Drake mourned the death of his wife Robin.  Then you’ve got the always dependable actors in the category — Peter Bergman (Jack, The Young and the Restless), Doug Davidson (Paul, Y&R) and Michael Muhney (Adam, Y&R).  Although Muhney is a great personal favorite of mine, I don’t know who did the superior job of all these outstanding actors.

Then there’s lead actress:  Who can beat Susan Flannery, who played Stephanie’s march to death so memorably on The Bold and the Beautiful? Or Heather Tom, who played Katie’s post-partum depression, also on B&B? Also excellent as was Days of Our Lives’ Peggy McCay who played Caroline’s Alzheimer’s suffering so skillfully.  Formidable, too, is Y&R’s always dependable Michelle Stafford (Phyllis), who also shone in that category.  Again, who to vote for?

For Best Supporting Actress, I’d definitely cast my vote for first time nominee (it’s about time) Katherine Kelly Lang of B&B, who played Stephanie’s best friend Brooke so beautifully and soulfully through Stephanie’s fabulously written final story. Here is an actress who has grown incredibly since her debut on the show 25 years ago, and definitely deserves recognition, not just for this year but for her long body of work.

And what about Best Show?  Can anyone beat GH, which had one of the best years in its history?  On the other hand, it’s hard to top B&B, with its brilliantly produced stories of Katie’s post-partum depression and the death of Stephanie.

Talk about killer choices. With only four surviving soaps contributing nominees, the work the voters had to choose from is all exciting and memorable. No matter who wins, the quality of all the nominees argues persuasively for the future of network soaps. Here’s hoping TPTB are paying attention.

This year’s Emmy Award ceremonies will be broadcast June 16 on HLN.