That Was the Week That Was

By Marlena De Lacroix a.k.a.  Connie Passalacqua Hayman

I can barely remember a daytime soap week that had as much breaking news as this one.  Here’s a peek into Marlena’s reporting notebook:

Ian Buchanan

Monday

I am stunned that General Hospital (Frank Valentini, executive producer; Ron Carlivati, headwriter)  has  fired Ian Buchanan (Duke Lavery).  It is just so wrong!  Ian is … Ian!  What a magnificent  actor he is, not to mention that he is a soap icon.  He and the equally magnificent  Finola Hughes (Anna Devane) comprise one of the greatest soap couples of  all time. Their story of conflicted love has always been a total winner.  The role of Duke was briefly played by a badly miscast Greg Beecroft (Guiding Light, One Life to Live) during a  23-year break Ian took from the show when  Duke was believed dead.  I .sincerely  hope they don’t kill Duke off for good this time!  Ian is so valuable to GH  and so  beloved by the fans.

Tuesday

Today I learned  the news that Wally Kurth, who has done double duty recurring on both  General Hospital as Ned Ashton and  Days of Our Lives as Justin Kiriakis, has been given a contract on Days. (Justin left Salem again just a month ago.)  I love Wally the Great and  will miss him terribly on GH.  Days is very smart to snap up Kurth.

More Tuesday

It’s Daytime Emmy time again. Oy!  The nominees were announced today.  The awards  will be presented April 26th on POP. That it’s back on TV after last year’s online  debacle  is great!

The nominations were announced  on CBS’ The Talk (I’m a View girl myself ).   They devoted only the first twenty minutes of the show to rattling off the noms, and it was done  in the studio.  Couldn’t they at least have done a remote to the announcement ceremonies themselves?  Remember the days when all three major networks covered the announcement ceremony live?  Doesn’t  daytime  deserve  better?

As you know, Emmy judgment isn’t based on an actor’s overall work, but rather on a reel of scenes from the last year that each actor and show  submit to a panel of judges at ATAS, the organization that administers the Daytime Emmys.  Great care goes into selecting these scenes; they are chosen by the actors themselves, and naturally they  are the best  scenes of the year.

So far I have only seen one reel for Best Actress and it left me totally  exasperated.  It’s well known that the Emmy  judges usually select  a winner  who cries and carries on in the scenes on their reel.  On the reel I saw, the actress certainly did cry and carry on from start to finish.  We all  know hysterics aren’t  all there is to soap acting, and not always soap acting at its best. The great weeping and gnashing of teeth scenes alone are not representative of the varied and truly excellent  work we see on our  screen five days a week.

Much more on the nominations themselves  and the Daytime Emmys in this column as Emmy day approaches.

Tony Geary in Luke’s moment of truth (Photo from MichaelFairmanSoaps)

Wednesday

I cried and screamed  and carried on  myself today during GH’s gala  52nd anniversary show. Incroyable!   What a shocker or should I say a roller coaster ride of shocks this episode was.  During today’s episode, it was revealed that as a teenager, Luke  murdered both his mother and super abusive  father. The story was told in Luke’s flashbacks and through sister Pat’s (Dee Wallace) narration.  The flashbacks were wonderfully rendered in silvery black and white  (the way TV was back then). The day the murders happened in Port Charles coincides with the date of  the GH’s premiere, April 1, 1963.  The details in the early Spencer story were accurate to 1963 in the most minute ways — sets, costumes, hairdos, even the attitudes of men toward women.

In a sublime touch, all the main characters were played by current GH current cast members amongst those  Jason Thompson (Patrick) as Dr. Steve Hardy, originally played by John Beradino, and Rebecca Herbst (Elizabeth) as Nurse Jessie Brewer, the role played by Emily McLaughlin.  What wonderful performances all gave!  I hardly recognized Laura Wright (Carly) as Luke, Bobbie and Pat’s mother Lena. She was just amazing in this episode.

Speaking of amazing, there is only one word for our medium right now, and that is “Tony,” as in Tony Geary.  He was genius in this episode, but when isn’t he?

Two Tony scenes that stand out this week literally broke my heart.  The first one was set in the hospital room of Luke’s long lost sister Patricia. Luke  hadn’t seen her in decades.  In this scene he saw her for the first time.  The look on Luke’s face at that moment was such a mix of wonder, incredulity and love!  Geary embodies natural acting.

In the second, Fluke was holding Luke’s wife Tracy (the always brilliant Jane Elliot) his daughter  Lulu (Emme Rylan) and sister Patricia hostage in Pat’s hospital room, pointing  a gun at the three.  To save their lives Tracy slowly talked  Fluke  down, reminding  him how  much he loves  his family.  The strategy worked:    Fluke  turned back into Luke in mid conversation.  What a relief when he dropped the gun!   How harrowing Geary made Luke here!  From menace to angel in a few seconds!

As illustrated in this scene, Geary and Elliot continue to be the best acting duo on daytime television today after so many years on the show together.

Many fans are saying this is the best soap episode they’ve ever seen.  I think it it’s one of many in our long and distinguished daytime drama history.   What do you think? The comments section below awaits.

General Hospital: The Ugly Denouement of the Baby Connie True Parentage Plot

By Marlena De Lacroix a.k.a. Connie Passalacqua Hayman

Wasn’t it ugly?  Incredibly, the denouement of General Hospital‘s Maxie admitting she is the biological mother of Connie plot was even worse than could have been predicted.  The fact that Maxie – who supposedly mothered the baby as a surrogate for Lulu and Dante — is the baby’s biological  mother  was disclosed by a complete stranger, namely lab tech Brad, right after Connie was christened.  At first Maxie and Spinelli, the true biological father, denied the truth and tried to hastily to exit the church, but detective Dante kept riding the two until they fessed up.  And it wasn’t pretty!

Bradford Anderson as Spinelli: This time an Emmy?

What made this ugly sequence memorable at all was the acting.  Dominic Zamprogna’s Dante was fierce and Emme Rylan’s Lulu practically breathed fire as she found out how her best friend Maxie had betrayed her by passing off her biological daughter as Lulu and Dante’s own. But the most winning of all — as has been so this entire dreadful plot — was the acting of Bradford Anderson as Spinelli.  The loss and pain of the situation have been continuously written on Anderson’s face and in his tears. As you recall, Spinelli didn’t find out that he was a father until after the baby was born.  Anderson  has  given this horrible situation all the humanity it lacks in plotting.

We hope that Anderson, who has been nominated in the past, may finally win a Daytime Emmy for this transcendent performance. If he does, it will be the only good thing to come from a storyline in which no one won, and everyone lost, especially poor baby Connie.  Will Dante and Lulu now fight for custody of the baby that isn’t really theirs?  Does anyone out there know the legalities of surrogacy in New York State?

Speaking of GH … isn’t it great to see Robert Scorpio  and Robin Scorpio Drake  back on the show this week?   Tristan Rogers had denied several times to assorted news outlets that he was coming back and it’s been almost two years since Kimberly McCullough left GH for her directing career.  Does McCullough look a bit different or is it us?  Robin’s renewed life will certainly break the heart of nurse Sabrina, who is in love with Robin’s “widower”’ Patrick.  At least Sabrina will have the arms of her first love Carlos to fall back into.  Speaking of which, the casting of talented, charismatic and  sexy Jeffrey Vincent Parise  as Carlos is one of GH’s best choices this year.  Kudos to super GH casting director Mark Teschner for finding and casting  this intriguing new actor.   

Franco: Make or Break for General Hospital?

By Marlena De Lacroix a.k.a. Connie Passalacqua Hayman

Maura West

So let’s take a survey.  How many Thinking Fans think Roger Howarth’s great charm as an actor can overcome the unbelievable maneuvers that have been made to bring back evil Franco as a viable everyday character?  Erasing Franco’s responsibility for the  rapes of Sam and Michael has taken quite a bit of tap dancing by headwriter Ron Carlivati, and I find the moves bizarre to say the least. I guess they had to give Howarth a character with some bad boy flavor, but Franco? Tell me what you think of this decision and whether or not you think it will make or break General Hospital’s current ratings. They’ve taken quite the risk here, je pense.

Emme Rylan

An additional thought from moi:  the very strong additions of Emme Rylan (new Lulu) and Maura West (Ava Jerome) just might also be enough to counterbalance any kind of ratings or popularity hit the show may take because of the Franco fiasco.  Que pensez-vous?

The Bold and the Beautiful:  Seductive Brooke Strikes Out

I’ve watched Brooke Logan flit around as a practicing sex addict on The Bold and the Beautiful for more than twenty-five years now.   But she’s never have been as pathetic as she was this week when she used all her seductive moves to get Eric to leave  Taylor and “father”  her unborn baby (who was really conceived with brother-in law Bill Spencer?).  Eric resisted her moves!  He’s usually so easily seduced  and Brooke is usually such a successful seductress.  By this point Eric should really be looking into senior housing. But Katherine Kelly Lang’s Brooke will probably never get too old to pull her patented seduction act.   How truly refreshing it was to see Eric say no  — at least for now — to the usually irresistible Brooke.

The Young and the Restless:  A Classy Tribute for a Classy Lady

What a classy and truly meaningful episode-long tribute The Young and the Restless did for the late Jeanne Cooper this week.   In forty years of soap watching, I can’t remember this amount of time being allotted to a departed actor in this way.   It was so sweet to have the entire cast share their memories of Cooper with the audience.  I could have done without their tales of Cooper’s habit of pinching all the young male character’s body parts, though. But I guess it’s nice to know that that even a lady full of class could be naughty once and a while.