Sunday Reflections 5: The Young and the Restless, The Revamp; Reality Shows on Y&R and General Hospital; Gold Medal GH

By Marlena Delacroix a.k.a. Connie Passalacqua Hayman

The Young and the Restless:  The hardest job in the soap world is being done right now by new executive producer Jill Farren Phelps and headwriter Josh Griffith as they revamp Y&R and are rumored to be paring down its expensive cast.  Marlena has always believed it’s not a critic’s job to tell producers what to do; it’s our job to react to it.  Yet, I can’t resist making some observations on the Y&R they are examining right now.

How the hell are Phelps and Griffith going to get rid of any veterans, when the greatest strength of Y&R is its plethora of actors who have been on for decades? Firing any will be an amputation, with the fans just screaming bloody murder even after just one pink slip. Look at how wrenching it was to lose Eileen Davidson as Ashley, who departed Y&R just last week for Days of Our Lives!  Almost all the older vets have proven their worth by improving the awful stories of Ms. Arena Bell and company though their great acting abilities. Examples: 

Peter Bergman

Michelle Stafford

Peter Bergman’s Jack conquering paralysis and his joke of a marriage to Melody Thomas Scott’s  Nikki; Michelle Stafford in the on-going travails of Phyllis; Doug Davidson, bravura as Paul in the father kills son Ricky story, and on and on. For whom will the bell toll?

Caution: cutting or deemphasizing the vets on Y&R would likely kill the show, as it will cause longtime viewers — its core audience — to flee.  Plus, any of these actors can be maintained or saved by improved writing for their characters.

Doug Davidson

Most likely cuts will come from the shorter-termed vets from other shows, like the Genie Francis (totally miscast as scheming Genevieve) and those who have run out of story, like Stephen Nichols (Tucker).  Please don’t cut Debbi Morgan (Harmony) and Darnell Williams (Sarge)!  Each has more than carried over their momentous acting skills from All My Children to Y&R and I’ll cry if they get the sack.

The most effective move would be to punch up or recast most of the young cast, who range from nothing more than ordinary to dreadful.  I have never been a fan of (recent Emmy winner!) Christel Khalil (Lily) and Daniel Goddard (Cane).  Lily and Cane are insipid and I don’t care to see any more about Cane’s past. The relative newbies such as Blake Hood (who plays the newly adult Kyle) and Jessica Heap (who plays Eden) don’t do much for me.  I have a feeling the show will be bringing in [Read more...]

Sunday Reflections 3: The Young and the Restless, General Hospital, Days of Our Lives

By Marlena De Lacroix a.k.a Connie Passalacqua Hayman

The Young and the Restless: Finally a soap does what I’ve long advocated for this era of desperation:  perform a radical life-saving change to save itself.  Y&R has sent in then Marines in the form of new executive producer Jill Farren Phelps and new headwriter Josh Griffith. And Marlena says Semper Fi!  Fresh from their triumphs on Hollywood Heights and Phelps’ latest Emmy for Outstanding Show (General Hospital), these two soap vets certainly have just the skills and genuine talent needed to pull Y&R out of its deep pit of, as we French say, ennui.

And already the fans have started flinging tomatoes at the choice of Phelps, who we all took to task for her cooperation with Guza on GH and other foul acts on One Life to Live.  Forgive and forget, Marlena says, because darlings, this is war!  With 30 plus years of continuous executive producing service to five soaps (Santa Barbara, Guiding Light, Another World, One Life to Live, GH) Phelps certainly has the octane needed to quickly change Y&R.  Similar negative things were predicted when the much skilled and experienced Paul Rauch (whose track record  fans did not love) first came to produce Y&R  a few years ago, and look at what an effective job he did. 

Tony Geary

General Hospital: Marlena is still swooning over the GH scene this week in which Luke and Anna were privately reunited in the hospital after Luke’s taking a bullet for Anna and his long abduction by cray-cray Heather. No crying, screaming or carrying on, it was just a conversation between two mature people revealing their deep romantic feelings for each other without words.  The script said that Anna was questioning Luke about his long abduction by Heather, and later telling him that the arrested Heather said Robin was alive. Yet, bravura Tony Geary and Finola Hughes played the scenes’ subtext — two very adult people (yes!) in love — so quietly and with so much subtlety, the scene was a thing of beauty. Luke spoke slowly and clearly, and in a low voice, while Anna listened, receiving his unspoken love with just a touch of a tear in her eye.   What creativity and worlds of experience these two actors bring to their work!  Whoever thought we could see such adult emotion portrayed so realistically on a soap opera?

This was a wonderful couple of days this week, for we who (try to) watch GH without spoilers. The previous day, insane Heather (surprise!) appeared in the doorway of the cabin in which she held Luke, shooting Luke after Anna (yay girl!) had punched her out and [Read more...]

Introducing “Sunday Reflections”: General Hospital, The Young and the Restless, Days of Our Lives

By Marlena De Lacroix a.k.a Connie Passalacqua Hayman

Sunday is a great time to reflect on what’s happened during the week on soaps. So Marlena happily presents the first of a feature called “Sunday Reflections.

General Hospital: Leave it to this regime at GH to bring in a GQ mobster, Joe Scully Jr., as played by the mighty fine looking Richard Steinmetz (ex-Santa Barbara, Sunset Beach) He’s no Paulie Walnuts or Bobby “Bacalla” from The Sopranos.  I dig Joe’s artfully clipped hair. But what I really like about Joe is that he’s definitely a Brooklyn “des,” “dems” and “does” guy withoutrichart steinmetxhaving to say the actual words “des,” “dems” and “does.” Joe’s is a master liar who usually got away with everything in the past (sound familiar?)  I can hardly wait to see the super melodramatic prison reunion this week between Joe and Kate, the woman he raped long ago. This rape produced a son, obviously Trey, played by slick looker Erik Valdez, an actor I don’t especially like. So that makes a show with how many rapists? Todd, Joe, Luke. And how many murderers walking around? Sonny, Jason, Heather, Johnny. That’s exactly double the number of such criminals GH had under Guza. Sopranos creator David Chase could hardly dreamed up this line-up, no?  Ladies and gents, please no letters on the good looks of Maurice Benard and Steve Burton. I already know.

The Young and the Restless: When a friend tweeted two weeks ago “I can’t believe that I’d be so glad to see Christine again,” I just laughed. Now I agree. Lauralee Bell is demonstrating a wonderful maturity and great passion as she now plays a lawyer who is out to prosecute Phyllis for her long ago hit and run involving herself and Paul on their almost wedding day. Speaking [Read more...]

The Mega-successful, Classy World of Bill Bell

By Marlena De Lacroix a.k.a. Connie Passlacqua Hayman

When I was a girl soap reporter, I called him “Mr. Bell” during interviews because of Bill Bell’s exalted status in the soap industry.  And Bill Bell (1927-2005) would just laugh and go ahead to speak about Bill Bellwhat one always talked to him about: the work.  He was the only person I ever interviewed who hardly ever promoted himself personally.  And he was in show business!   Bell, a true gentleman, preferred to have his work speak for itself.

So I’m glad there’s a new biography that both examines Bell’s personal life story and takes a comprehensive look at his always top-rated soaps. The book, published by Sourcebooks, is titled The Young and Restless Life of William J. Bell, Creator of The Young and the Restless and The Bold and the Beautiful and written by veteran soap journalist Michael Maloney and Lee Phillip Bell, Bell’s wife, who also co-created both soaps.

Bill Bell had a wonderful life, told in this book with same kind of class that helped make him such a remarkable person in life and in television history.

There was never a day in his 40-plus years in the soaps when Bell’s writing wasn’t excellent and his soaps engrossing and entertainingly and intelligently done.. He, his soaps, his family and his organization were  always all about class — and success.  And on top of all this, he was a genuinely nice man.

Bill Bell really was the prototypical American success story of a man who started humbly and worked his way to the top.  He came from a Midwest middle class family, served stateside during World War II, and [Read more...]

When All Soaps Are In Lockstep, Is Improvement Possible?

By Marlena De Lacroix

What’s a soap critic to do?  There are only six soaps.  I have a long memory and remember the very early 90s, when Bill Bell originated the homeless storyline with Stephanie, which way proceeded the current one.  Ken Corday is an enemy of free speech; he sought to destroy the critical arm of Soap Opera Weekly years ago. But alas.  The great and ultra creative Jim Reilly is dead and cursed now by Ken and followers.   All that is long ago and distant — to some and those who were not in the daytime world long ago in the first place.

The root of criticism in daytime is executive change.  You call for an executive change when you see a bad soap, a soap that is marked by cronyism, a soap that doesn’t  move, or centers too long on one character or is marked by favoritism or sexism or inside politics.  Yet, all the current headwriters and producers at daytime, as if in a time warp, seem locked into place.  We have Ken, enemy of the First Amendment at Days of Our Lives.  Fronsie eternal at ABC.  All the Bells and the bravura Rauch at Y&RJill and Bob at General Hospital.  They all seem to be [Read more...]

Daytime Emmys 2009: The Beginning of the End?

By Ed Martin 

Watching the 36th annual Daytime Emmy Awards on The CW during the dog days of August confirmed what I already knew: These are dark days indeed for the daypart overall and for soap operas in particular.

It’s not that the telecast was all bad: I actually prefer smaller venues for the Daytime Emmy celebration (the Orpheum Theater in Los Angeles for last night’s show, ballrooms at the Marriott Marquis in Manhattan during the ceremony’s glory years) and I always enjoy an entertaining opening number at any awards event. (Vanessa Williams‘ reworked-for-daytime rendition of Can’t Take My Eyes Off of You was almost as much fun as Neil Patrick Harris‘ surprise closing song at this year’s Tony Awards.) Best of all, in the soap categories the awards were spread over a number of different shows. Only As the World Turns went totally unrewarded during the telecast. (On Saturday it picked up a couple of Creative Arts Emmys, so no soap went home empty handed.)

In fact, I was pleased with most of the winners in the daytime drama categories, from the tie for Outstanding Supporting Actor between the long overdue Vincent Irizarry of All My Children and the very deserving Jeff Branson of Guiding Light to

The biggest disgrace was the rushed tribute to the soon-to-be-terminated Guiding Light, which has already completed production and will have its last telecast in two weeks … The other big bad of the night was the brush-off to The Bold and the Beautiful at night’s end.

the surprise Outstanding Lead Actress win for Susan Haskell of One Life to Live. (Her portrayal of repeat rape victim Marty Saybrooke in the year’s most controversial soap story was consistently riveting.) Even though it would have been [Read more...]

Our Soap Shrink Wonders: Why So Many Bloody Brides?

Thinking Fans Comment Update: Jason laments, “I think the problem with soaps these days is they try to distance themselves from what they should be centered upon, which is love and romance, and turn to violence” … while Deep Dish,  favoring balance, suggests, “I think there’s room enough on soaps for both the traditional romantic weddings as well as the bloody bride interruptus ones” … and more.  See Comments below. 

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BrideBy Damon L. Jacobs

Savvy daytime fans know the value and vindication of the classic soap wedding.  But more and more this great tradition is being replaced with a trend that promotes gore and carnage:  The iconic bloody white wedding dress.

I, for one, fail to see the benefit or payoff for covering our heroines in blood.  It certainly can’t.t be for shock value, since anyone old enough to remember Sissy Spacek in Carrie is no longer surprised by the contrast of innocence and red liquids.  In my opinion, this trend is one of many ways the current shows are sending a message of defiance into the faces of long-term viewers, as this once sacred and uplifting wedding episode is now frequently mired in violence and bloodshed.

And yet I can’t help but wonder how others perceive it.  It used to be that viewers would get to witness a couple spending several years coming together, making up, breaking up, then [Read more...]

Soap January: Bombs Away!

Deidre and Drake

Thinking Fans Comment Update: Steve‘s take on AMC’s “January stunts” is “I don’t know if I can think of a more blatant example of the type of heartless sickness that has wounded soaps” … and S. Woods adds: “The crud on offer from these soaps is giving tastelessness a bad name” … while Twb6y optimistically doesn’t believe John and Marlena are really gone for good … and more. See Comments below.

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By Marlena De Lacroix

Each year, I have January off from school and I snooze, do some quiet reading and graze the minimally eventful pre-sweeps soaps.  Not this year.  Too often I’d see something on a soap that would surprise me, shock me or even out and out disgust me. I’d scream! I’d yell!  Every other day!

What is going on in this soap January?  I have a feeling the approaching end of the genre may have to do with the frantic state of all the soap activity on and off screen this month.  Every soap wants to save itself. Every soap is desperately doing whatever it can to hold on to viewers.  Hence, many soaps may be acting more out of panic and fright than thinking calmly and rationally.  For, how else can you explain the following January soap bombs?

Deidre Hall  and Drake Hogestyn get fired and leave Days of Our Lives for good. Does anyone remember the soap parody film Soapdish from 1992?  In it a soap headwriter played by Whoopi Goldberg is asked to bring back a dead character she

No, no,  not even the freezing winds of January could  render my longtime beloved soap operas … so disgustingly crass!  

had previously decapitated.  “How can I bring him back?” she says, “He doesn’t have a head! How can I give lines to a body running around without a head?” Kinda sums up the absurdity of Ken Corday getting rid of [Read more...]

Marlena’s “Only the Bests” List 2008

New Year'sEve clip art

Thinking Fans’ picks and pans for 2008: Cherry Ames pans Todd/Marty as “the foulest story ever” … DSO816 picks the Angie/Jesse reunion … while Marlene agrees GHNS2 set the bar higher for all soaps … and more. See Comments below. 

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By Marlena De Lacroix

Last year I decided I will no longer do “Best” and “Worst” lists for soaps.  After all, there have been so many “worsts” this year (real life deaths, superstar firings, General Hospital limosex and other tasteless storylines, wasted returns of some soap veterans), why would I want to re-inflict the pain on you?

 So, darlings, here are my “bests.”

General Hospial Night Shift 2 — As I wrote last fall,”If they could bottle this show, they could save soap opera.”  This 2008 soap dared to remember that soap opera is supposed to be about love, compassion, close friendships and the importance [Read more...]

Dee-A-Palooza Day Three: Searching for the Real Deidre

Deidre Hall 3

Thinking Fans Comment Update: John says “Deidre’s Marlena is imo the greatest soap heroine ever” … though Alan Ryan prefers the Dr. Marlena Evans of the 70s and 80s … and more.  See Comments below.

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By Marlena De Lacroix

In 1986 I was given an assignment by a major women’s magazine to interview Deidre Hall, the star of Days of Our Lives, who had just premiered in a primetime show called Our House.

I had been a Days fan for a long time, and had always been fascinated by how perfect, even-tempered  and all-American Deidre seemed, both on and off the screen. (There was certainly no one who looked or acted like Dr. Marlena in ethnic Queens where I grew up!)  The angle of the story I proposed was to find the “real” Deidre Hall. So I went to [Read more...]