Happy 24th Anniversary, Marlena!

By  Connie Passalacqua Hayman

This week marks the 24th anniversary of the debut of my alter ego, Marlena De Lacroix. My first column with that byline under the standing headline Critical Condition debuted in the second issue of Soap Opera Weekly the last week of November 1989.  Weekly was an immediate success and Marlena became very popular very quickly.

A lot of people have asked me why I used the named Marlena De Lacroix.  Marlena is a play on my middle name and Lacroix phonetically comes from the last part of my last name.  At the time I was freelancing for an ABC magazine called Episodes and the editor there thought there would be less of a conflict of interest if I used a nom de plume at Weekly. Marlena’s real identity was never a secret –everyone knew it was me.

Although I have used the name continuously, the column has appeared at different times.  It appeared from 1989-2001  in Soap Opera Weekly, and debuted on the web in 2006 at Jack Myers Media Village. Here at marlenadelacroix.com, it has been running since 2007.

Marlena’s mission from the get-go was and is to report on and criticize soaps with intelligence and respect.  The readers – you, my cherished Thinking Fans – always have been veteran soap viewers with a vast knowledge both of soap history and how soaps are put together.  You  know the role of the writers, the producers and the actors.  You know what has worked well in the past and are expert at analyzing why soaps are working or if they are not.

Which brings me to my favorite part of being Marlena:  I love doing critical analysis; but what really pleases me is receiving your reaction to my opinions.  I love reading your analyses of all of the soaps.  Keep on sending your thoughts on what I write and your reactions to what you see on your daytime soaps  every day.

Thanks for your loyalty and support. Here’s to another 24 years!

General Hospital: Jam-Packed November Sweeps

William deVry: His Derek Wells is really dead mob boss Julian Jerome (ABC photo)

By Marlena De Lacroix a.k.a. Connie Passalacqua Hayman

It’s traditional for a soap presents its strongest stories during sweeps, and this November hasn’t been a disappointment on General Hospital. Au contraire, the month isn’t over yet. To paraphrase Bette Davis in All About Eve: “Fasten your seatbelts, it’s going to be a bumpy 30 days.”

The opening of the Jerome art gallery, with its hilarious “BLT” painting  supposedly by Franco, was the site of the denouement of two longtime plots. It was a messy confluence, but got a lot done story-wise. In one, Sonny revealed that Derek Wells (William deVry) is really dead mob  boss Julian Jerome, the brother of Ava and the co-owner of the art gallery.   In the other, Sonny wanted to kill Julian for ripping off a shipment but during the sequence decided that he couldn’t because Julian is needed for future leukemia transplant  treatments for Danny.  The reveal was a bit underwhelming as deVry played it way too cool, and there were really no consequences for the Julian character.  At least, Sam found out who her biological  father was.

There’s more: The gallery was also the backdrop for the revelation that Franco isn’t Jason’s twin brother after all but the natural child of Heather Webber and Scotty Baldwin.  This new “fact” didn’t exactly make sense because Franco would have been conceived when both mother and father were on the soap canvas in the early 80s, but we never saw them get together.  Also the ages didn’t match.  Roger Howarth, who plays Franco is 45, Robin Mattson is 57 and Kin Shriner is 60. Even so, this parentage would explain Franco’s strange and colorful personality.

And more: The courtroom was the backdrop for the resolution of the Baby Connie custody hearing.  Lulu and Dante wanted to keep their daughter, who really biologically belongs to Maxie and Spinelli.  In a unique twist, custody of the child was awarded to Spinelli, with Maxie banned from seeing the infant for six months. The scene in which Lulu and Dante had to hand Connie over to Spinelli was just heartbreaking.

We’re not finished yet: The big news was that Robin was alive after all, having spent the last two months on screen lurking about behind the scenes — first, inventing a cure for Luke on Cassadine Island and second,  wandering around Port Charles having near run-ins with her “surviving” husband Patrick and his fiancé Sabrina. At one point, Sabrina’s ex Carlos even discovered Robin as alive.

And finally: On Friday, Robin had a face to face reunion with her father Robert, in a back room in the church where Patrick is about to marry Sabrina. The reveal to Patrick that Robin is still alive should take place this week, probably during the wedding ceremony.  It should be explosive, just another exciting story event.

A bumpy 30 days indeed! 

The Bold and the Beautiful Scores a Ratings High

 

Crossing and double crossing (from left : Brooke (Katherine Kelly Lang), Bill (Don Diamont) and Katie (Heather Tom)

By Marlena De Lacroix a.k.a. Connie Passalacaqua Hayman

In Breakfast at Tiffany’s, Audrey Hepburn’s Holly Golightly, judging the parade of men through her life, distinguishes between regular rats and super rats. She could have been talking about The Bold and the Beautiful’s odious Bill Spencer. In the past two weeks, he’s clearly earned a promotion from regular to super rat status.

Headwriter Bradley Bell and his team achieved this through a dizzingly swift sequence of crosses and double crosses that seem more akin to a twisty spy novel than a soap opera. Such is the demand for speed in modern television storytelling.

The payoff has been a much deserved ratings spike for the show, its best numbers in years.

Since Bill came down from the mountain chastened by his scary fall and buoyed by his new resolve to change his ways toward Katie, the loving wife he had wronged by having a hot affair with her sister Brooke, everything changed and changed again and then changed some more on B&B.

As the week ended, we were hoping that a betrayed Katie did not take him back. But she did, and without hesitation. Almost immediately, the two slept together. Of course we knew that Bill had seen a practical side to his spiritual cleansing. Promptly post coitus, Bill talked Katie into signing back to him the CEO seat of Spencer Publications and custody of their baby son Will. Again without missing a beat, she complied.

We’d barely gotten past our gasp at this slick maneuver when Bill pulled a double cross!  With the ink not yet dry on the agreement, he hastened to the side of the heart-broken Brooke and turned on the full force of his lounge lizard charm. He doesn’t want Katie back at all, he claimed, and only went back to her as a ruse to get all the goodies. It’s you, Brooke, that I want, he insisted.

We hadn’t finished gagging when Brooke showed uncommon backbone, went immediately to Katie to reveal Bill’s chicanery, and then fiercely told Bill to his face:“No one treats the Logan sisters this way!” 

Sisters together, one for all and all for one, right? Well, not exactly. While Katie wept over being blindsided by Bill, Brooke pulled a double cross of her own. She secretly destroyed the signed legal transfer papers  and replaced them in an empty legal envelope with leaves she had collected in Aspen, the site of Bill’s supposed epiphany and the scene of their last romantic rendezvous.

So, now what? Will Bill dump Katie again when he knows he no longer has control of the company? Is this Brooke’s plan to get him back? Can there ever be romance again between Bill and either Katie or Brooke? Or is Bill truly the most irresistible super rat of all time? 

We’ll leave that for Bell and company to figure out.  They know what they’re doing. According to a show press release, the Bill/Brooke/Katie adventure has carried the show to its highest ratings since 2007.   That’s about equivalent to 3.5 million viewers as this new soap season started, which is a lot of viewers in a soap opera  medium that is still struggling to stay alive.

The only question now is how Bell will keep us watching the Bill/Brooke/Katie triangle.  Okay, we’ll admit that, twisty spy novel or soap opera, we’re really intrigued … and will keep on watching!  

The Bold and the Beautiful: Bill’s Balderdash

By Marlena De Lacroix a.k.a. Connie Passalacqua Hayman

It may be the strangest game changer in soap history.  While The Bold and the Beautiful’s Bill Spencer was climbing to a mountain top in Aspen, he slipped and fell. Not that far, thanks to his safety line. But far enough, he said, to frighten him into an epiphany.

Don Diamont: His Bill has a high altitude epiphany

According to Bill, he saw his whole life flash before his eyes.  He realized that leaving his wife Katie for her sister Brooke was wrong, wrong, wrong. This week, to make things right, he broke up with his supposed great love, Brooke, and attempted to return to a stunned Katie.

Did Bill’s mountaintop revelation prove that he may he may indeed have a conscience?  Balderdash!  We don’t believe Bill ever had a conscience in the first place, or else he never would have left his beloved wife for her sister.  The truth is that Bill misses the power he had when he was the head of Spencer Publishing, a position he lost to Katie. At the same time, Bill misses his baby son, Will, who has remained with Katie.

Predictably, Brooke took the break-up badly. “All the men who tell me they love me leave me,” cried Brooke, who has an engagement ring stashed away in a drawer to “prove”  Bill’s love.  Indeed, many men in B&B history have loved and left Brooke.  What she might not recognize is that she doesn’t know the difference between love and sexual attraction.

In Bill she met her equal; he doesn’t understand the difference, either. Strangely. Bill and Brooke, a most scandalous couple, became incredibly popular on B&B.   The actors, Katherine Kelly Lang and Don Diamant have dynamite chemistry. With all the fervor of a sweeping romance novel, Bill chased  Brooke  to Rome to claim her and brought her home in triumph, whereupon the two started living together.

That didn’t last long, did it?  In the interim, Katie grew stronger, running the company and taking care of Will.  She did not have a nervous breakdown.  Even so, Bill and Brooke treated her like a mental case, blaming her problems, including postpartum depression, for her “pushing” her husband and sister-in-law together.   The audience didn’t know who to root for Bill to be with — Brooke or Katie.   This continued for some months.

Knowing the difference between right and wrong , we always rooted for wife Katie.  Now, we await whether or not she will take Bill back.  We certainly hope not.   And as to that moutaintop revelation — maybe it was inevitable after all.   Without fickle Bill changing his mind, B&B  would have no on-going  story to tell.

Who do you think Bill will be with from now on?  Does he deserve his legal wife Katie, and all that goes with her? Is the newly spurned “fiancé” Brooke better off without him? Will Bill’s balderdash finally be exposed?    

The Young and the Restless’ Record-Breaking Stunt

By Marlena De Lacroix a.k.a. Connie Passalacqua Hayman     

Yet again … is it right or wrong for a soap to kill off a child?  I led a column with this perennial question several weeks ago when Delia Abbott was killed on The Young and the Restless, reiterating my longstanding opposition to what I regard as a creepy plot device that exploits the worst nightmare of mothers everywhere, many of whom historically form the backbone of soap viewership.

Billy Miller: His Billy carries a crushing burden of guilt

But that’s just me, and as it turns out lots of viewers disagree. There was a tremendous response to the column:  a spike of several thousand hits above the norm here at Marlena De Lacroix:  Soaps for the Thinking Fan, plus almost a hundred letters, breaking at about half pro and half con.  Y&R earned the biggest prize of all: close to a record five million viewers for this most controversial storyline of the year.

It’s hard to argue with such success, so I’ll concede this much: if Y&R had to do this story, at least they did a fine job of it. The writing, acting and production all were first rate. The death of Delia touched almost every character on the canvas. As the grieving mother Chloe, Elizabeth Hendrickson brought tears to the eyes. The grief of the father, Billy (Billy Miller) was made worse by his knowledge that, just prior to the accident,  he had left the child in the car when he went into a store to get some ice cream.  Any parent could relate to his crushing feelings of guilt, expressed so movingly in his later scenes with his hysterical mother Jill (Jess Walton).

The death of Delia brought the leading Abbott family together. Jack and his sisters Ashley (Eileen Davidson) and Tracy (Beth Maitland) came to town. Ashley brought muffins for a scene Y&R watchers have grown to love as tradition:  the Abbott family breakfast.  Jack (Peter Berman) was shown to be the new head of the family, a fact that was remarked upon by Jack’s dead father John (Jerry Douglas), who appeared only to Jack.  The warmth of the family gathering went a long way to assuage the pain of Delia’s death, although the pain will never go away.

And there’s more. Also shown in a great deal of pain was Adam Newman (Michael Muhney), the man who apparently (and up until now secretly) ran over Delia.  He kept this knowledge to himself, even after parts of Delia’s eyes were successfully transplanted to Adam’s newborn, almost blind son, per Chloe and Billy’s permission. Adam hasn’t even been able to enjoy the success of this operation.  All along he has been debating confessing his guilt. This week he may even do so.

Will Adam Newman ever be happy?   Here’s a question that has haunted the character ever since he came to town as the son of Victor and the blind and deceased Hope several years ago.   First he loved and lost Sharon (Sharon Case). Then he loved and lost his wife Chelsea (Melissa Claire Egan).   Now he may go to jail for a decade and miss his son’s growing up years. Adam Newman’s life is perpetually a tragedy. Not as great as the death of Delia, but certainly a story that is ongoing for the recent run of Y&R.  The soulful Michael Muhney has his work cut out for him. Happily for the viewers, he seems to be up to the challenge.    

Four More Who Make My Day

By Marlena De Lacroix a.k.a. Connie Passalacqua Hayman

Even when the plots of our soap operas drag or are otherwise unsatisfying, there are always actors who make our day.  I named some of my favorites here a while back. Now, here are some more, all on General Hospital:

Anders Hove: GH’s own bad grandpa (ABC Photo)

Anders Hove plays Faison, a classic villain who has been in and out of Port Charles going back to 1990.   He’s Danish and with his long hair and wrinkles is perhaps the most bedraggled looking character on all of daytime TV.  His visits usually have to do with his obsession with lady love Anna Devane and with his favorite diabolical undertaking, kidnapping.  This time he’s in town after revealing to Anna that her daughter Robin (who his bossy wife Dr. Obrecht abducted a year and a half ago) is still alive.

Hove’s latest visit is so much fun because we’re getting to see the domestic side of the Great Dane.  He’s continually in conflict with Dr. O, his quarrelsome spouse from hell (the outstanding Kathleen Gatti). The two fight like the old married couple that they are. This time he’s also fighting with evil daughter Britt (does the apple fall far from the tree?), who has introduced him to his “grandson” Ben, who is not biologically Britt’s son.  It’s hilarious to see this villain kiss his “baby.”  We hope Faison sticks around, even if at the moment he should still be in jail for impersonating Duke Lavery.

Finola Hughes

Finola Hughes is always a treat since her spy/police chief character Anna Devane  came to town in the 80s.  She is what soap women rarely are: career oriented and mature but still vulnerable and brimming with emotion.   Now she’s obsessed with finding her daughter Robin, who has thought dead for some time but is still alive.

The most interesting recent Hughes moment came with her impersonation of the vile Dr. O, who wore a mask impersonating Anna. She was an actress pretending to be a character pretending to be her character. Tricky stuff, and Hughes made it a jolly tour de force, complete Dr. O’s signature hauteur. Elsewhere, she played herself with equal charm in some marvelous scenes with Hove.

Bryan Craig. We’ve been very rough on Craig who plays Carly and Sonny’s son Morgan.  As Kiki’s husband, he was very weak.  However, since Morgan has hooked up with older woman Ava Jerome (the outstanding Maura West), Craig’s performances have gotten better. Perhaps working with the accomplished West buoyed him. Now he’s a lot more forceful.   Going forward, it should be interesting now that he’s discovered Ava’s brother Derek is really his father’s enemy, mob boss Julian Jerome.

Ilene Kristen. Here’s a big soap surprise. It seems that GH is incorporating the old soap Ryan’s Hope and Kristen’s character Delia Reid Ryan into its own storylines. Sam and Silas will go to the Upper West Side bar to find out if Delia is really the mother of Ava Jerome.  We can hardly wait to see Kristen (formerly Roxy on One Life to Live), who is always kooky and funny,  in her two appearances scheduled for  this week.

The Bold and the Beautiful’s Most Excellent Recast

By Marlena De Lacroix a.k.a. Connie Passalacqua Hayman 

Cheers to The Bold and the Beautiful for the most exciting soap recast of this or any other year: Soap superstar Thorsten Kaye has been signed to played Ridge Forrester, the show’s lead character, who was played from the show’s 1987 debut until last year by Ronn Moss.  Kaye, of course, played Patrick Thornhart on One Life to Live and Zack Slater on All My Children, and was last seen in primetime as Anjelica Huston’s shady but adorable boyfriend Nick on Smash

Thorsten Kaye: How will he change Ridge?

This bold recasting coup is so fascinating because Kaye and Moss are so different as actors. Both have the leading man’s requisite virility and good looks. But whereas Moss, with his legendary chiseled cheekbones, could have stepped off the cover of a romance novel, Kaye’s unshaven ruggedness is less generically handsome but much more down to earth.

Moss played Ridge, son of the Forrester dynasty of clothing designers, as a spoiled, mildly pompous rich kid.  He was always under the thumb of his domineering mother Stephanie, played by Susan Flannery, who has retired from the show.

Kaye, a classically trained theater actor, has a lot more range than the somewhat flat Moss. Kaye can play romantic, he can play tender, he can play tough and he has fabulous diction (as demonstrated by his Patrick’s many renditions of the poem “Brown Penny” on OLTL.)   He really is the quintessential soap leading man.

How will Kaye change Ridge? We hope the character will become more assertive, more nuanced and as a result more interesting.  The Ridge who has been residing in Paris for the last year will come back to find a changed scene in his hometown of Los Angeles. Ridge’s ex-wife Brooke (Katherine Kelly Lang) has become secretly engaged to Bill Spencer (Don Diamont), a married man and a significant force in his own right. We can hardly witness the inevitable clash between macho Diamont, all bedecked in his trademark bling, and the fiery Kaye.

Speaking of male roles on B&B

I have reached my limit and am fed up with that ultimate wuss Liam Spencer, as played by Scott Clifton.   Although he spends his life huffing and puffing and sanctimoniously trying to hang on to his now ex-fiancée Hope Logan (Kim Matula), at heart he really can’t commit to her.  Why else would he send a love montage email to his ex-wife Steffy?   He’s already left Hope at the altar and has kept her hanging on for years.  Now, Liam’s half-brother Wyatt (Darin Brooks) has fallen in love with Hope and has done everything to sweep her off her feet.  We can’t help rooting for Wyatt as Liam has become unbearable.  Wyatt at least has a clear allegiance to Hope, the only woman in his life.  No matter how much the now unattractive Liam  whines and carries on, he has no natural right to Hope’s love and affection

An Excruciating Episode of The Young and the Restless

By Marlena De Lacroix a.k.a. Connie Passalacqua Hayman      

Is it right or wrong for a daytime soap opera to kill off a baby or a child?  After all, a large part of the viewing audience is young mothers, and they could find such a sequence unbearable to watch.  After watching little Delia Abbott get hit by a car on Friday’s episode of The Young and the  Restless, I’d likely vote it’s wrong to do such a storyline.

Sophie Pollono as Delia Abbott

Killing off a child provides harrowing drama. But the problem with Friday’s episode was that it was so harrowing, it was thoroughly overwrought and over played. Everything was calculated to make the viewer feel pain.

Billy Abbott (Billy Miller) did what a parent should not do: he left his daughter Delia in the car when he went into a store to buy ice cream.  She opened the door and chased her dog down the road when he hopped out.  Then Adam (or perhaps it was Nikki, who was also out driving that night) came barreling down the road and hit her.

It took almost an entire episode for the ambulance to arrive, during which Billy, alone with his comatose daughter, ruminated over his mistake.  These scenes were unbearable.  Even worse were scenes in which we saw what Billy will likely miss — fantasy scenes of his daughter’s forthcoming (if she is still alive) graduation, wedding, childbirth and grown years in which Billy and daughter operated his restaurant as “Delia and Dad.”

In these treacly scenes (in which Dad kept saying “I love you” over and over) Delia was played by a series of older actresses . Miller soldiered on as an older and older Billy, although the actor was minimally aged.  Each scene was engineered to evoke a tear. I’m sure many viewers couldn’t take the extreme melodrama of a tragically missed future and tuned out.

Meanwhile, Delia’s mother Chloe was shown at the movies, innocently making out with her ex-husband Kevin. On Monday, presumably Delia will die from her injuries.

This is not the first time a baby or a child was killed on a soap opera, but it’s certainly the most extreme. In the 1950s Lisa’s son Chucky was killed on As the World Turns when he was hit by a car.

In the most famous example of a child being killed, little Laura, daughter of Brooke and Tom, was hit by a drunken driver on All My Children.  This storyline at least was done with the cooperation of the real Mothers Against Drunk Drivers (MADD) and was a critical hit.  It said something powerful about drunk drivers.

But Delia’s accident and impending death so far has been pointless.  All it did was create some excitement on a show that for so long has lacked much.  That is if you could bear watching Friday’s episode.  I breathed a huge sigh of real relief as soon as it was over. 

General Hospital: The Ugly Denouement of the Baby Connie True Parentage Plot

By Marlena De Lacroix a.k.a. Connie Passalacqua Hayman

Wasn’t it ugly?  Incredibly, the denouement of General Hospital‘s Maxie admitting she is the biological mother of Connie plot was even worse than could have been predicted.  The fact that Maxie – who supposedly mothered the baby as a surrogate for Lulu and Dante — is the baby’s biological  mother  was disclosed by a complete stranger, namely lab tech Brad, right after Connie was christened.  At first Maxie and Spinelli, the true biological father, denied the truth and tried to hastily to exit the church, but detective Dante kept riding the two until they fessed up.  And it wasn’t pretty!

Bradford Anderson as Spinelli: This time an Emmy?

What made this ugly sequence memorable at all was the acting.  Dominic Zamprogna’s Dante was fierce and Emme Rylan’s Lulu practically breathed fire as she found out how her best friend Maxie had betrayed her by passing off her biological daughter as Lulu and Dante’s own. But the most winning of all — as has been so this entire dreadful plot — was the acting of Bradford Anderson as Spinelli.  The loss and pain of the situation have been continuously written on Anderson’s face and in his tears. As you recall, Spinelli didn’t find out that he was a father until after the baby was born.  Anderson  has  given this horrible situation all the humanity it lacks in plotting.

We hope that Anderson, who has been nominated in the past, may finally win a Daytime Emmy for this transcendent performance. If he does, it will be the only good thing to come from a storyline in which no one won, and everyone lost, especially poor baby Connie.  Will Dante and Lulu now fight for custody of the baby that isn’t really theirs?  Does anyone out there know the legalities of surrogacy in New York State?

Speaking of GH … isn’t it great to see Robert Scorpio  and Robin Scorpio Drake  back on the show this week?   Tristan Rogers had denied several times to assorted news outlets that he was coming back and it’s been almost two years since Kimberly McCullough left GH for her directing career.  Does McCullough look a bit different or is it us?  Robin’s renewed life will certainly break the heart of nurse Sabrina, who is in love with Robin’s “widower”’ Patrick.  At least Sabrina will have the arms of her first love Carlos to fall back into.  Speaking of which, the casting of talented, charismatic and  sexy Jeffrey Vincent Parise  as Carlos is one of GH’s best choices this year.  Kudos to super GH casting director Mark Teschner for finding and casting  this intriguing new actor.   

General Hospital: Here’s to You, Mrs. Robinson

By Marlena De Lacroix a.k.a. Connie Passalacqua Hayman

Last week we condemned an Eric and Quinn romance on The Bold and the Beautiful because of the thirty- plus-years age difference.  But this week I’m going to be a tremendous hypocrite and give a compliment to the fact that forty-something Ava slept with 19 year old Morgan on General Hospital this week.  It was good soap opera because it was entirely unexpected.

Maura West, GH’s Mrs. Robinson: “Jesus loves you more than you will know (wo, wo, wo)”

As you may recall, Ava jumped into bed with Morgan after being dejected that the man she loves – Silas, the biological father of her daughter Kiki — doesn’t care for her and is instead interested in Sam.  But what really kicked off the liaison was when Sonny blurted out that he knew that Morgan knew Kiki wasn’t related to Michael before he married her. It effectively broke up the marriage of Morgan and Kiki, finally sending Kiki into Michael’s arms. 

We can’t remember a case of the Mrs. Robinson syndrome happening on a soap before.  Mrs. Robinson, of course, was the older woman who slept with college grad Benjamin in The Graduate. Having Ava sleep with Morgan was a very daring step for a soap.

The scenes made for some good drama. GH being a soap, the liaison didn’t stay a secret for long.  Hotel owner Carly let herself into Ava’s hotel room with a pass key and was livid when she found her son in bed with the older woman. (Never mind that Carly would probably do a similar thing if it fit her agenda.)  But what really was entertaining was when Michael and Kiki later discovered Ava in bed with Morgan. “I hit the sheets with your mother,” jeered spiteful Morganl, who almost danced with glee at the opportunity to get back at his emotionally unfaithful wife.  Kiki’s eyes bulged with anger.

The sequence’s content also strengthened the acting of two of the cast’s weaker actors,  Bryan Craig, who plays Morgan, and Kristen Alderson, who plays Kiki.  Neither have been very convincing in their roles.  Yet Craig played Morgan’s obnoxiousness and immaturity quite well here.

The situation also proved overall that Ava is turning out to be the most valuable player in GH’s cast.   Sleeping with her daughter’s husband is only the latest “accomplishment” of this character who defines the word unpredictable.  As you may recall, she has lied repeatedly, she shot Olivia, she withheld her knowledge of the identity of Kiki’s father from Kiki, Michael and Franco, and she may even have shot Connie.  (The initials “A.J,” as in Ava Jerome, was found written in blood next to Connie’s body). It helps that Ava is played by Maura West who is hands down this year’s best new actress in a role.  We can’t wait to see what Ava, er, Mrs. Robinson will do next. 

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Lyrics from “Mrs. Robinson” by Simon and Garfunkel